
- English
- PDF
- Available on iOS & Android
About this book
Megawattage sound systems have blasted the electronically-enhanced riddims and tongue-twisting lyrics of Jamaica's dancehall DJs across the globe. This high-energy raggamuffin music is often dismissed by old-school roots reggae fans as a raucous degeneration of classic Jamaican popular music. In this provocative study of dancehall culture, Cooper offers a sympathetic account of the philosophy of a wide range of dancehall DJs: Shabba Ranks, Lady Saw, Ninjaman, Capleton, Buju Banton, Anthony B and Apache Indian. Cooper also demonstrates the ways in which the language of dancehall culture, often devalued as mere 'noise, ' articulates a complex understanding of the border clashes which characterize Jamaican society, and analyzes the sound clashes that erupt in the movement of Jamaican dancehall culture across national borders.
Frequently asked questions
- Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
- Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Information
Table of contents
- Cover
- Contents
- Acknowledgments
- Introduction: Word, Sound, and Power
- ONE: Border Clash: Sites of Contestation
- TWO: Slackness Personified: Representations of Female Sexuality in the Lyrics of Bob Marley and Shabba Ranks
- THREE: Lady Saw Cuts Loose: Female Fertility Rituals in the Dancehall
- FOUR: "Mama, Is That You?": Erotic Disguise in the Films
- FIVE: "Lyrical Gun": Metaphor and Role-Play in Dancehall Culture
- SIX: "More Fire": Chanting Down Babylon from Bob Marley to Capleton
- SEVEN: "Vile Vocals": Exporting Jamaican Dancehall Lyrics to Barbados
- EIGHT: Hip-hopping across Cultures: Reggae to Rap and Back
- NINE: "Mix Up the Indian with All the Patwa": Rajamuffin Sounds in Cool Britannia
- TEN: The Dancehall Transnation: Language, Lit/orature, and Global Jamaica
- Notes
- Works Cited
- Permissions
- Index