
International Cinema and the Girl
Local Issues, Transnational Contexts
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- Available on iOS & Android
International Cinema and the Girl
Local Issues, Transnational Contexts
About this book
From the precocious charms of Shirley Temple to the box-office behemoth Frozen and its two young female leads, Anna and Elsa, the girl has long been a figure of fascination for cinema. The symbol of (imagined) childhood innocence, the site of intrigue and nostalgia for adults, a metaphor for the precarious nature of subjectivity itself, the girl iscaught between infancy and adulthood, between objectification and power. Shespeaks to many strands of interest for film studies: feminist questions of cinematic representation of female subjects; historical accounts of shifting images of girls and childhood in the cinema; and philosophical engagements with the possibilities for the subject in film. This collection considers the specificity of girls' experiences and their cinematic articulation through a multicultural feminist lens which cuts across the divides of popular/art-house, Western/non Western, and north/south. Drawing on examples from North and South America, Asia, Africa, and Europe, the contributors bring a new understanding of the global/local nature of girlhood and its relation to contemporary phenomena such as post-feminism, neoliberalism and queer subcultures. Containing work by established and emerging scholars, this volume explodes the narrow post-feminist canon and expands existing geographical, ethnic, and historical accounts of cinematic cultures and girlhood.
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Table of contents
- Cover
- Title Page
- Copyright Page
- Table of Contents
- List of Figures and Tables
- Acknowledgments
- Introduction
- Part I Girlhood and Postfeminism: Global Perspectives
- Part II Philosophies of Girlhood in Film
- Part III Sonic Youth: Girlhood,Music, and Identity
- Part IV Extraordinary Girlhoods
- Filmography
- Notes on Contributors
- Index