
Kafka's Travels
Exoticism, Colonialism, and the Traffic of Writing
- English
- PDF
- Available on iOS & Android
About this book
In 1916, Kafka writes of The Sugar Baron, a dime-store colonial adventure novel, '[it] affects me so deeply that I feel it is about myself, or as if it were the book of rules for my life.' John Zilcosky reveals that this perhaps surprising statement - made by the Prague-bound poet of modern isolation - is part of a network of remarks that exemplify Kafka's ongoing preoccupation with popular travel writing, exoticism, and colonial fantasy. Taking this biographical peculiarity as a starting point, Kafka's Travels elegantly re-reads Kafka's major works ( Amerika, The Trial, The Castle ) through the lens of fin-de siecle travel culture. Making use of previously unexplored literary and cultural materials - travel diaries, train schedules, tour guides, adventure novels - Zilcosky argues that Kafka's uniquely modern metaphorics of alienation emerges out of the author's complex encounter with the utopian travel discourses of his day.
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Information
Table of contents
- Cover
- Half-Title
- Title
- Copyright
- Dedication
- Contents
- Acknowledgements
- List of Ilustrations
- Note on Abbreviations and Translations
- Introduction Kafka’s Travels?
- Chapter One Transcending the Exotic: Nostalgia, Exoticism, and Kafka’s Early Travel Novel, Richard and Samuel
- Chapter Two The “America” Novel: Learning How to Get Lost
- Chapter Three Traveling at Home: The Trial and the Exotic Heimat
- Chapter Four Savage Travel: Sadism and Masochism in Kafka’s Penal Colony
- Chapter Five Of Sugar Barons and Land Surveyors: Colonial Visions in Schaffstein’s Little Green Books and The Castle
- Chapter Six The Traffic of Writing: Technologies of Intercourse in the Letters to Milena
- Chapter Seven Travel, Death, and the Exotic Voyage Home: “The Hunter Gracchus”
- Epilogue Kafka’s Final Journey
- Notes
- Works Cited
- Index