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eBook - PDF
About this book
This book provides insight into how musical performances contributed to emerging ideas about class and national identity. Offering a fresh reading of bestselling fictional works, drawing upon crowd theory, climate theory, ethnology, science, music reviews and books by musicians to demonstrate how these discourses were mutually constitutive.
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Yes, you can access The Musical Crowd in English Fiction, 1840-1910 by P. Weliver in PDF and/or ePUB format, as well as other popular books in Literature & Literature General. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Title
- Copyright
- Contents
- Acknowledgements
- Introduction
- 1 Surveillance and Musical Passion in Villette
- 2 Germanic Music Ideals in Utopian Communities: Charles Auchester, Erewhon and "Euphonia"
- 3 Music, Climate Theory and the Working Classes in Sandra Belloni
- 4 Imagining 1848 Risorgimento Opera Production in Vittoria
- 5 Shaw's Fiction and the Emerging English Musical Renaissance
- 6 From Collective Action to Creative Individuality: Robert Elsmere, Dodo, Althea and Howards End
- Conclusion
- Notes
- Bibliography
- Index