The Heretic's Mark

The enthralling story of conspiracy and murder from the bestselling historical crime series, perfect for fans of S J Parris and Shardlake

S. W. Perry

• Publisher: Corvus
• Year: 2021
• Print ISBN: 9781786499004
• eBook ISBN: 9781786499028
• Topic: Literature
• Subtopic: British History
• Index: Literature

'Historical fiction at its most sumptuous' Rory Clements
'S. J. Parris fans will be pleased' Publishers Weekly
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The quest for knowledge can lead down dangerous paths...
London, 1594. The Queen's physician has been executed for treason, and conspiracy theories flood the streets. When Nicholas Shelby, unorthodox physician and unwilling associate of spymaster Robert Cecil, is accused of being part of the plot, he and his new wife Bianca must flee for their lives.
With agents of the Crown on their tail, they make for Padua, following the ancient pilgrimage route, the Via Francigena. But the pursuing English aren't the only threat Nicholas and Bianca face. Hella, a strange and fervently religious young woman, has joined them on their journey.
When the trio finally reach relative safety, they become embroiled in a radical and dangerous scheme to shatter the old world's limits of knowledge. But Hella's dire predictions of an impending apocalypse, and the brutal murder of a friend of Bianca's force them to wonder: who is this troublingly pious woman? And what does she want?
Paise for S. W. Perry's Jackdaw Mysteries:
'Engaging' Sunday Times
' Beautiful writing' Giles Kristian
'Brilliantly evokes the colours, sights and sounds of the Elizabethan era' Goodreads review
'Gripping, packed with twists and turns!' Goodreads review
' Spellbinding... I fell in love with every character' Goodreads review READERS ARE ALL-IN ON THE HERETIC'S MARK
' Fabulous read' *****
'Immersive reading experience' *****
'Unputdownable' *****
'The Elizabethan period is brought to life' *****
'I love the mixture of history and fiction' *****

PART 1

Falling from Heaven

1

St Thomas’s Hospital, Southwark. Thirteen days later, 20th June 1594

‘Tell us, Dr Shelby: when did you first conspire with the executed traitor Lopez to poison Her Grace the queen?’

The questioner wears the livery of Robert Devereux, the young Earl of Essex. He is a large man. He has to stoop slightly in this dank low-ceilinged former monk’s cell. His face reminds Nicholas Shelby of an oval of badly cast glass on a grey day, cold and impenetrable. Judging by the foot-long poniard he wears at his belt, the noble earl has not hired him to wait at his table or tend his privet hedges. His companion is also armed. He stands close to his master, as though he hopes a little of the other man’s menace might rub off on him.

Even in summer the hospital warden’s office has the dank stink of the river about it, the walls cold and slippery to the touch, a place more suited to burial than the administration of healing. Now, in the shocked silence that follows the man’s accusation, it has for Nicholas the stillness of a freshly opened crypt. Before he can reply, the warden gives a frightened little harrumph. His eyes, set unnaturally close to the bridge of his thin nose, hurriedly fall to the ledgers on his desk. He seems to think that the harder he studies the inky scrawls, the further he can remove himself from the implications of what he’s just heard. ‘I have no knowledge of Mr Shelby,’ he mutters to the pages, ‘other than of his duties at this hospital. Beyond that, I am not of his acquaintance.’

Nicholas thinks: that’s exactly the kind of betrayal I might have expected from a man I have always imagined more as a pensioned-off Bankside rat-catcher than a hospital warden, a man who sneeringly refuses to understand why a physician who now serves Sir Robert Cecil, the queen’s privy councillor and secretary, should still care enough about healing to visit St Thomas’s Hospital for the sick poor of Bankside on a Tuesday and Thursday, without even asking for the shilling a session you grudgingly paid me when I was down on my luck.

He keeps his reply calm and measured. Bravado will be as incriminating as hesitancy. ‘Who are you to speak with such impertinence to a loyal and obedient subject of Her Majesty?’

The man gives a smile that is very nearly a sneer. ‘Judging by what Master Warden has just said, it would appear you must account for yourself without an advocate, Master Shelby. Please answer the question I put to you.’

‘It is not a question,’ says Nicholas. ‘It has no merit. It is an insult. And as a member of the College of Physicians, to you I am Mister Shelby.’

A contemplative nod, while the man considers if this has any bearing on the matter at hand. Then he looks at Nicholas with eyes as sharp as the poniard he carries at his belt. ‘Then as a physician, Mister Shelby, you must know what hot iron can do to a man’s fingers. How will you practise your physic with burnt stumps?’

‘This is risible. I will hear no more of it.’

Nicholas moves towards the door, intending to leave. A thick, leather-sleeved arm blocks his way. Not suddenly, but smoothly – as if the body it is attached to has seen all this before and knows precisely how this measure is danced.

‘Did you not see the recent revels at Tyburn, Mr Shelby?’ asks the younger of Essex’s men, a hollow-cheeked fellow with lank pale hair that hangs down each side of his face like torn linen snagged on a thicket. He mimics the lolling head of a hanged man, while one fist makes an upwards-slicing motion over his own ample belly. He dances a few steps in feigned discomfort, as though he’s stepping over his own entrails.

As ever when Nicholas is raised to a temper, which is not often, the Suffolk burr in his voice becomes more evident. ‘No, I did not! Let me pass. I have borne quite enough of this nonsense.’

‘That is a pity, Dr Shelby,’ says the owner of the arm. ‘It might have proved an instructive lesson – for your likely future.’

Nicholas bites back the reply that has already formed in his mind: What you call a revel was nothing but the murder of an innocent old man. In these present times, to express sympathy for a condemned traitor is almost as dangerous as committing the alleged treachery yourself.

‘You would be advised to give a proper account of yourself to Master Winter here,’ says the mimic with the lank hair, nodding towards his friend. ‘When did the executed traitor Lopez seek to enrol you in his vile conspiracy?’

‘Do you really expect me to answer that?’

The warden seems to deflate into an even smaller huddle over his ledgers. He shakes his head as if trying to cast off a bad memory, or perhaps to show Essex’s men that he never wanted Nicholas Shelby anywhere near St Tom’s in the first place, however far he may have risen since.

The one named Winter says, ‘Oh, be assured, sir, you will answer the denouncement – before me, or before the Queen’s Bench: the choice is yours.’

Denouncement. So that’s it, Nicholas thinks. Someone has made a false accusation against me. He tries to think who it might be. He has few enemies, and none made willingly. Perhaps some minor member of the aristocracy has taken offence that the new physician to Sir Robert Cecil refuses to purge him for an overindulgence of goose and sirloin.

‘Who has laid this false charge against me?’ he demands to know.

Winter’s reply is non-committal. ‘I am a servant of His Grace the earl, not a market-stall gossip.’

‘And I am in the service of Sir Robert Cecil,’ Nicholas reminds him. ‘I am physician to his son. Now let me go about my lawful business.’

Winter puts one thick hand on the hilt of his poniard and lifts just enough blade from the sheath to show he means business.

‘I am sure Sir Robert can find another doctor to attend his son, should the present one lose his life resisting arrest for treason. You are to come with us to Essex House.’

Nicholas has a sense of falling – the warning the stomach gives the brain of coming terror. He remembers that old Dr Lopez made a similar journey not so many months ago, and from there to the Tower. As he follows Winter and his boy out of the dank little cell and into the June sunshine the warden’s head does not lift from his ledger, as though Nicholas Shelby has been already condemned and forgotten.

In her apothecary’s shop on Bankside’s Dice Lane, Bianca Merton is preparing an emulsion for Widow Hoby’s inflamed ear. She takes up a bottle of oil of Benjamin and pours a generous measure into a stone mortar, which she sets on a tripod over the stub of a fat tallow candle. Then she breaks up some mint, marjoram and oregano, pares a few leaves of wormwood from a stem and drops the mixture into the gently warming liquid. As she begins to grind the pestle, the scents spill out in profusion. She inhales. She smiles. There might be an open sewer outside, but in her modest premises the air is always exotically fragrant.

Some who live in the teeming warren of lanes that cluster around the Rose playhouse on the south bank of the Thames would think it a shame to pour such a fine oil into the ear of an old woman with barely the clothes on her back to her name, but Bianca knows Widow Hoby has a good soul. Her husband was one of the more than ten thousand Londoners who were carried off by the pestilence that ravaged the city last year. She deserves a little luxury.

On Bankside, indeed throughout Southwark, there is a certain air of mystery – not to say notoriety – about Bianca Merton. For a start, she looks different. Her skin has a healthy caramel sheen to it, a hint (or so her mother always told her) of a family line that ran from the Italian Veneto across the Adriatic to Ragusa, and from there into Egypt, or Ethiopia, or even far Cathay. (Her mother had never been entirely specific on the subject.) But it is more than just her complexion – which admittedly has paled a little under the unpredictable English sun – or her startling amber eyes and the thick, dark convolutions that spill from a high, determined brow that mark her out as exotic. Whether her customers come for oil of bitter almonds to ease a ringing in the ears, a decoction of plantain, sorrel and lettuce for a nosebleed or simply for a chat, they cannot help but wonder if the rumours are really true: that the daughter of an English spice merchant and an Italian mother can mix a poison as deftly as she can a cure.

Being what the rest of London refers to disparagingly as denizens of ‘the Turkish Shore’ and thus used to the unusual, these same Banksiders have long since taken to Bianca Merton. Southwark admires a certain dash, a measure of what it likes to call ‘assurance’. Man or woman, poor or poorer (there are few enough in the city’s southernmost ward who are rich), they don’t much care if it’s not shown by their clothes. A jaunty cap worn at a rakish angle, a flash of bright ribbon, a string of polished oyster shells sewn to the collar in place of pearls will do, if it’s all one can afford. What is important is that you walk down Bermondsey Street or along the riverbank with your chin up, as though the Bishop of London, the queen’s Privy Council, the Lord Mayor and his Corporation – along with all their petty laws – can go straight to the Devil in a night-soil waggon, for all you care. And in this, Bianca Merton suits them down to the ground.

For those who have learned of it, and Bianca has done her utmost to ensure there are few, the only thing that might raise a doubting eyebrow is her faith. In a realm whose present queen is still under a pope’s sentence of excommunication, and whose former sovereign, the bloody Mary, burned three hundred Protestant martyrs before her own departure into a richly deserved hell, Bianca Merton’s Catholicism could well be viewed with suspicion. Not so much now, of course. Not since she purchased the Jackdaw tavern with the money her father had left her. There are few heresies a Banksider won’t forgive, if the price of his ale is competitive. And besides, you’d be hard pressed to find one who doesn’t have something in their larder they’d rather not share with the world across London Bridge.

The one thing they are all agreed upon is that they cannot quite bring themselves to address this comely young woman with the interesting past by her new, married name. She came to them as Mistress Merton, and Mistress Merton is how they see her still, regardless of their happiness at the match. Goodwife Shelby just doesn’t seem to fit.

When the oil infusion is complete, Bianca adds it to the rest of the medicines she has prepared for tomorrow’s early customers. She locks her shop and goes out into the warm summer air. She walks the short distance to the pleasant lodging she and Nicholas rent close to the river by the Paris Garden. On...

Table of contents

• Cover
• Title
• Copyright
• Prologue
• Part 1: Falling from Heaven
• Part 2: The Pilgrim Road
• Part 3: The Mathematician
• Historical Note
• Acknowledgements