'Both heartwarming and sad, it's an insightful, thought-provoking glimpse into female friendships, love and loyalty.' - Julie Cohen
'After Isabella is a beautiful, absorbing novel that deals with the issues at the very heart of what it
means to be a woman.' - Tracy Buchanan
'I was lost in this powerful, poignant tale.' - Amanda Prowse
When Esther's childhood best friend Isabella dies of cancer, she is devastated. Years later, she is brought together with Isabella's sister Sally, who cared for Isabella in her last days, and who subsequently nursed their mother through years of dementia.
English professor Esther sees shy, innocent Sally emerge from a life of isolation and loneliness. But as Esther herself suffers blow after blow, and sees her carefully ordered life collapse around her, she is forced to contemplate the notion of friendship and trust. Do the ones we hold dearest always have our best interests at heart?

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Information
Subtopic
Women in FictionIndex
LiteratureTABLE OF CONTENTS
- COVER PAGE
- TITLE PAGE
- COPYRIGHT PAGE
- CONTENTS
- PROLOGUE
- CHAPTER ONE
- CHAPTER TWO
- CHAPTER THREE
- CHAPTER FOUR
- CHAPTER FIVE
- CHAPTER SIX
- CHAPTER SEVEN
- CHAPTER EIGHT
- CHAPTER NINE
- CHAPTER TEN
- CHAPTER ELEVEN
- CHAPTER TWELVE
- CHAPTER THIRTEEN
- CHAPTER FOURTEEN
- CHAPTER FIFTEEN
- CHAPTER SIXTEEN
- CHAPTER SEVENTEEN
- CHAPTER EIGHTEEN
- CHAPTER NINETEEN
- CHAPTER TWENTY
- CHAPTER TWENTY-ONE
- CHAPTER TWENTY-TWO
- CHAPTER TWENTY-THREE
- CHAPTER TWENTY-FOUR
- CHAPTER TWENTY-FIVE
- CHAPTER TWENTY-SIX
- CHAPTER TWENTY-SEVEN
- CHAPTER TWENTY-EIGHT
- CHAPTER TWENTY-NINE
- CHAPTER THIRTY
- CHAPTER THIRTY-ONE
- CHAPTER THIRTY-TWO
- CHAPTER THIRTY-THREE
- CHAPTER THIRTY-FOUR
- CHAPTER THIRTY-FIVE
- CHAPTER THIRTY-SIX
- CHAPTER THIRTY-SEVEN
- CHAPTER THIRTY-EIGHT
- CHAPTER THIRTY-NINE
- CHAPTER FORTY
- CHAPTER FORTY-ONE
- CHAPTER FORTY-TWO
- CHAPTER FORTY-THREE
- CHAPTER FORTY-FOUR
- EPILOGUE
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Published in trade paperback in Great Britain in 2016 by Allen & Unwin
Copyright Ā© Rosie Fiore, 2016
The moral right of Rosie Fiore to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act of 1988.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of both the copyright owner and the above publisher of this book.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the authorās imagination. Any resemblance to actual persons, living or dead, events or localities, is entirely coincidental.
Every effort has been made to trace or contact all copyright holders. The publishers will be pleased to make good any omissions or rectify any mistakes brought to their attention at the earliest opportunity.
Allen & Unwin
c/o Atlantic Books
Ormond House
26ā27 Boswell Street
London WC1N 3JZ
Phone:020 7269 1610
Fax:020 7430 0916
Email:[email protected]
Web:www.allenandunwin.com/uk
A CIP catalogue record for this book is available from the British Library.
Trade paperback ISBN 978 1 76029 241 6
Ebook ISBN 978 1 92557 521 7
CONTENTS
PROLOGUE
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHAPTER ELEVEN
CHAPTER TWELVE
CHAPTER THIRTEEN
CHAPTER FOURTEEN
CHAPTER FIFTEEN
CHAPTER SIXTEEN
CHAPTER SEVENTEEN
CHAPTER EIGHTEEN
CHAPTER NINETEEN
CHAPTER TWENTY
CHAPTER TWENTY-ONE
CHAPTER TWENTY-TWO
CHAPTER TWENTY-THREE
CHAPTER TWENTY-FOUR
CHAPTER TWENTY-FIVE
CHAPTER TWENTY-SIX
CHAPTER TWENTY-SEVEN
CHAPTER TWENTY-EIGHT
CHAPTER TWENTY-NINE
CHAPTER THIRTY
CHAPTER THIRTY-ONE
CHAPTER THIRTY-TWO
CHAPTER THIRTY-THREE
CHAPTER THIRTY-FOUR
CHAPTER THIRTY-FIVE
CHAPTER THIRTY-SIX
CHAPTER THIRTY-SEVEN
CHAPTER THIRTY-EIGHT
CHAPTER THIRTY-NINE
CHAPTER FORTY
CHAPTER FORTY-ONE
CHAPTER FORTY-TWO
CHAPTER FORTY-THREE
CHAPTER FORTY-FOUR
EPILOGUE
PROLOGUE
Sheād been restlessly asleep for hours, her fingers plucking irregularly at the covers, her eyelids fluttering, her breathing rattly and noisy. Esther sat and watched her. Sheād been told that these were all signs that the end was near. It was quite possible that she wouldnāt wake again. Her breathing would slow and then stop, and that would be it. Esther leaned back in her chair. She hadnāt slept for a long time and she was weary. She shut her eyes for a second, just to rest them.
The breathing stopped and Estherās eyes flew open. The face on the pillow looked awake and alert, her eyes wide open and almost amused.
āCaught you napping.ā
āSorry,ā Esther said. āCan I get you anything?ā
āNo thanks.ā She smiled a genuinely warm, attentive and lovely smile. āYou must be knackered, sorry.ā
āIām fine,ā said Esther. āHonestly. How are you doing? Want more morphine?ā
āNo pain right now. But I tell you what, my feet are bloody freezing.ā
āYour feet? Really?ā The room was warm, and the bed was covered with a heavy, fluffy duvet.
āYeah.ā
āCan I get you some socks?ā
āI donāt think thatāll work. I think my bodyās storing all the heat around whatās left of my essential organs. I donāt think Iām able to generate my own heat for my extremities. Maybe a hot water bottle⦠only I donāt think I own one.ā
āI donāt think you do,ā said Esther. She paused for a second. āI read somewhere, although I suspect itās completely spurious, that when D. H. Lawrence was dying, he complained his feet were cold, and his wife, Frieda, put them in her bosom to warm them.ā
āHer bosom?ā
āI havenāt got much of a bosom, but I do generate quite a bit of body heat.ā
The chuckle from the bed sounded lively, not at all like the chuckle of someone dying. āWould you? Would you do that for me?ā
āFor you, Millais, anything.ā
Esther folded back the duvet from the bottom of the bed and lay on her side. She lifted her shirt and drew the two cold feet to her, pressing them against her stomach, then drawing her jumper and the duvet down over them. āBetter?ā
āBetter. Thank you. Your belly is so soft. Squidgy.ā A smile, silence, and eyes that closed slowly.
Esther lay still, breathing softly and watching, until she too fell asleep for a time.
CHAPTER ONE
āThe first time I saw Isabella, I was nine years old. Weād moved from Richmond to north London. It was only ten miles or so, but it might as well have been the other side of the world. I knew Iād never ever see my friends again, and that I would be alone forever.
āMy mum took me for my first day at the new school, and they called Isabella to the office to take me to my classroom. The head, who was one of those touchy-feely enthusiastic types, leapt up and stood with her hands on Isabellaās shoulders as she introduced us. āIsabella Millais is one of our star students!ā She beamed. āSheās just won a competition and had a picture published in a national magazine, fancy that!ā She went on about how Isabella was a credit to her teachers, and Isabella looked straight at me. It took me a moment, but then I realized we were exactly the same height. We had the same long, straight, dark brown hair, and the same dark eyes. She had skinny legs and bumpy knees like me too. She could have been my twin sister. It was like looking in a mirror.
āI must have been staring, because she stared back. She kept her face quite still, but then she very slightly crossed her eyes so she was squinting and stuck the tiniest tip of her tongue out of the corner of her mouth. I couldnāt believe her nerve. If the head had spotted her⦠She didnāt even seem to care that my mum, who was standing next to me, could see her. And as quickly as sheād pulled the face, she stopped, and said, āWelcome to St Maryās. Iāll show you where the classroom is.ā
āI picked up my bag and followed her, and my mum stayed behind to talk to the head. Isabella and I walked down the corridor together. She walked fast, and she held her head high. She always walked like that, looking straight ahead. She walked like that for as long as I knew her. I had to trot a bit to keep up. We got to the classroom door and she stopped and checked her watch. Then she yanked my arm so we were bent double and couldnāt be seen through the glass panel of the door. She pulled me along, past the classroom and on down the corridor. We went down some stairs into the gymnasium, which was empty. She took me across the room to a huge pile of gym mats, and we sat on the floor behind them, so we couldnāt be seen from the door. āItās fifteen minutes to lunchtime,ā she said. āWeāll go back at one minute to, and then there wonāt be time for embarrassing introductions and making you stand up in front of the class. We can just go straight to lunch.ā She reached into her blazer pocket and brought out a squished chocolate bar. She broke it in two and gave me half. The bigger half. I knew then that she would be my friend for life.
āAnd she was. All the way through school, and through university, even though we werenāt in the same city. She was always on the end of the phone, or sending me funny letters and pictures in the post, or turning up at my room in halls at eleven oāclock on a Friday night to stay for the weekend. She held my hair back the first time I got drunk enough to be sick. She was my bridesmaid when I got married, and she was godmother to my little girl, Lucie.
āWhen she found out she was ill, she didnāt want to tell anyone. She had this idea that she could just carry on, live her life and have her treatment. She couldnāt bear the idea that anyone would pity her, or whisper about her, or think of her as āthe one with cancerā. She didnāt even tell me. I only found out when Sally rang to let me know. Isabella was so sick, she couldnāt look after herself, so Sally moved in with her. Now to us, growing up, Sally was the annoying little sister, trailing after Isabella and me, wanting to join in our games ā we used to hide from her, or send her on impossible errands. Sometimes we even locked her in the cellar. But when the chips were down, it was Sally Isabella needed. Sally gave up her job and looked after Isabella 24/7 for a year and a half until⦠Until the end.
āAnd here we are. The end, the end of Isabella. The most vibrant, hilarious and brilliant person I have ever known. An amazing architect, cook and friend. I know she meant something different, something special to every single one of you, or you wouldnāt be here to say goodbye. It just seems⦠unbelievable that a light like that can have gone from the world. I know itāll take me a very long time to get used to it. Iāll still expect to hear her voice on the end of the phone, to see her name popping up in my inbox with a crazy, witty message. I canāt believe I wonāt get another one of her handmade birthday cards. I canāt begin to imagine how this feels for Sally, and Isabellaās mum, Joan. Our hearts are with you, Sally and Joan, and weāll all be there for you, anytime of the day or night. Rest in peace, Bells. The sister I never had. I canāt believe youāre gone.ā
Esther held it together until she read these last words from the pages gripped in her hand. She could feel the hot tears gathering, and then they spilled over, blurring her glasses. She had somehow got into the pulpit in this church, but she wasnāt sure how to get out. She turned ineffectually from side to side. She felt the priestās hand take her elbow firmly but gently and guide her down the three little steps, and she slumped back into the pew next to Stephen.
The ridiculous shiny dark brown of the coffin intruded into her peripheral vision. How could Isabella, or what was left of Isabella, be lying silent and still in that box? She couldnāt look at it, hadnāt looked at it through her eulogy. It made no sense.
She was thirty-nine years old and this was only the third funeral she had ever been to. It seemed like a strange and archaic ritual, but she wasnāt terribly sure how it should be done differently. What are we supposed to do with dead people, she wondered. We have to put them somewhere, dispose of the bodies in a way that is safe and hygienic, assure ourselves that they really, truly are gone, and find a way of moving on. This odd agglomeration of words, music, a box and flowers seemed to be the accepted method. In this case, however, it seemed to have nothing to do with Isabella, who had been an atheist, unmusical, and rather averse to flower arrangements, preferring to decorate her home with minimalist, dramatic displays of bamboo or still lifes of sticks and stones.
The assembled people rose to sing a hymn, Psalm 23. It must have been Joanās choice. Esther hadnāt sung it since primary school, and she had a vague memory, or thought she did, of last having sung it beside Isabella, who had a deep and rather gravelly voice and a t...
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