Between the Assassinations

From the winner of the Man Booker Prize

Aravind Adiga

• Publisher: Atlantic Books
• Year: 2010
• Print ISBN:
  9781848878099
• eBook ISBN:
  9781848877474
• Topic: Literature
• Subtopic: Literature General
• Index: Literature

The dazzling new book from the winner of the 2008 Man Booker Prize: one of the summer's most eagerly anticipated works of fiction. In his compelling new work of fiction, Aravind Adiga has imagined the small Indian city of Kittur, an everytown nestling on the coast south of Goa and north of Calicut. Through the myriad and distinctive voices of its inhabitants, an entire Indian world comes vividly and unforgettably to life. From a middle-aged Communist to an Islamic terrorist; from the young children of a Tamil building-site worker to a privileged and alienated schoolboy; from an idealistic journalist to a Brahmin housemaid, Adiga has produced a microcosm of Indian life in the 80s, the years between the assassinations of Indira Gandhi and her son Rajiv. Muslim, Christian and Hindu, high-caste and low-caste, rich and poor: all of Indian life - the 'sorrowful parade of humanity' - is here. Journeying through Kittur's streets and schoolyards, bedrooms and businesses, its inner workings and outer limits, Adiga conjures a remarkable fictional landscape. Sizzling with acid observations, and textured with wicked humour and gentle humanity, Between the Assassinations is a triumph of voice and imagination.

HOW THE TOWN IS LAID OUT

In the geographical centre of Kittur stands the peeling stucco façade of Angel Talkies, a pornographic cinema theatre; regrettably, when the townsfolk give directions, they use Angel Talkies as a reference point. The cinema lies halfway down Umbrella Street, the heart of the commercial district. A significant chunk of Kittur’s economy consists of the manufacture of hand-rolled beedis; no wonder, then, that the tallest building in town is the Engineer Beedi Building on Umbrella Street, owned by Mabroor Engineer, reputed to be the town’s richest man. Not far from it lies Kittur’s most famous icecream shop, The Ideal Traders Ice Cream and Fresh Fruit Juice Parlour; White Stallion Talkies, the town’s only exclusively English-language film theatre, is another nearby attraction. Ming Palace, the first Chinese restaurant in Kittur, opened on Umbrella Street in 1986. The Ganapati Temple in this street is modelled on a famous temple in Goa and is the site of an annual pooja to the elephant-headed deity. Continue on Umbrella Street north of Angel Talkies and you will reach, via the Nehru Maidan and the train station, the Roman Catholic suburb of Valencia, whose main landmark is the Cathedral of Our Lady of Valencia. The Double Gate, a colonial-era arched gateway at the far end of Valencia, leads into Bajpe, once a forest, but today a fastexpanding suburb. To the south of Angel Talkies, the road goes uphill into the Lighthouse Hill, and down to the Cool Water Well. From a busy junction near the Well begins the road that leads to the Bunder, or the area around the port. Further south from the Bunder may be seen Sultan’s Battery, a black fort, which overlooks the road that leads out over the Kaliamma river into Salt Market Village, the southernmost extension of Kittur.

Day One (Afternoon): THE BUNDER

You have walked down the Cool Water Well Road, past Masjid Road, and you have begun to smell the salt in the air and note the profusion of open-air fish stalls, full of prawns, mussels, shrimps and oysters; you are now not far from the Arabian Sea.

The Bunder, or the area around the port, is now mostly Muslim. The major landmark here is the Dargah, or tomb-shrine, of Yusuf Ali, a domed white structure to which thousands of Muslims from across southern India make pilgrimage each year. The ancient banyan tree growing behind the saint’s tomb is always festooned in ribbons of green and gold and is believed to have the power to cure the crippled. Dozens of lepers, amputees, geriatrics, and victims of partial paralysis squat outside the shrine begging alms from visitors.

If you walk to the other end of the Bunder, you will find the industrial area, where dozens of textile sweatshops operate in dingy old buildings. The Bunder has the highest crime rate in Kittur, and is the scene of frequent stabbings, police raids, and arrests. In 1987, riots broke out between Hindus and Muslims near the Dargah, and the police shut down the Bunder area for six days. The Hindus have since been moving out to Bajpe and Salt Market Village.

Abbasi uncorked the bottle – Johnnie Walker Red Label blended, the second-finest whisky known to God or man – and poured a small peg each into two glasses embossed with the Air India maharajah logo. He opened the old fridge, took out a bucket of ice, and dropped three cubes by hand into each glass. He poured cold water into the glasses, found a spoon and stirred. He bent his head low and prepared to spit into one of the glasses.

Oh, too simple, Abbasi. Too simple.

He swallowed spittle. Unzipping his cotton trousers, he let them slide down. Pressing the middle and index fingers of his right hand together, he stuck them deep into his rectum; then he dipped them into one of the glasses of whisky and stirred.

He pulled up his trousers and zipped them. He frowned at the tainted whisky; now came the tricky part – things had to be arranged so that the right man took the right glass.

He left the pantry carrying the tray.

The official from the State Electricity Board, sitting at Abbasi’s table, grinned. He was a fat, dark man in a blue safari suit, a steel ballpoint pen in his jacket pocket. Abbasi carefully placed the tray on the table in front of the gentleman.

‘Please,’ Abbasi said, with redundant hospitality; the official had taken the glass closer to him, and was sipping and licking his lips. He finished the whisky in slow gulps, and put the glass down.

‘A man’s drink.’

Abbasi smiled ironically.

The official placed his hands on his tummy.

‘Five hundred,’ he said. ‘Five hundred rupees.’

Abbasi was a small man, with a streak of grey in his beard which he did not attempt to disguise with dye, as many middle-aged men in Kittur did; he thought the white streak gave him a look of ingenuity, which he felt he needed, because he knew that his reputation among his friends was that of a simple-minded creature prone to regular outbreaks of idealism.

His ancestors, who had served in the royal darbars of Hyderabad, had bequeathed him an elaborate sense of courtesy and good manners, which he had adapted for the realities of the twentieth century with touches of sarcasm and self-parody.

He folded his palms into a Hindu’s namaste and bowed low before the official. ‘Sahib, you know we have just reopened the factory. There have been many costs. If you could show some—’

‘Five hundred. Five hundred rupees.’

The official twirled his glass around and gazed at the Air India logo with one eye, as if some small part of him were embarrassed by what he was doing. He gestured at his mouth with his fingers: ‘A man has to eat these days, Mr Abbasi. Prices are rising so fast. Ever since Mrs Gandhi died, this country has begun to fall apart.’

Abbasi closed his eyes. He reached towards his desk, pulled out a drawer, took out a wad of notes, counted them, and placed the money in front of the official. The fat man, moistening his finger for each note, counted them one by one; producing a blue rubber band from a pocket of his trousers, he strapped it around the notes twice.

But Abbasi knew the ordeal was not over yet. ‘Sahib, we have a tradition in this factory that we never let a guest depart without a gift.’

He rang the bell for Ummar, his manager, who entered almost at once with a shirt in his hands. He had been waiting outside the whole time.

The official took the white shirt out of its cardboard box: he looked at the design: a golden dragon whose tail spread round onto the back of the shirt.

‘It’s gorgeous.’

‘We ship them to the United States. They are worn by men who dance professionally. They call it “ballroom dancing”. They put on this shirt and swirl under red disco lights.’ Abbasi held his hands over his head, and spun round, shaking his hips and buttocks suggestively; the official watched him with lascivious eyes.

He clapped and said: ‘Dance for me one more time, Abbasi.’

Then he put the shirt to his nose and sniffed it three times.

‘This pattern’ – he pressed on the outlines of the dragon with his thick finger – ‘it is wonderful.’

‘That dragon is the reason I closed,’ Abbasi said. ‘ To stitch the dragon takes very fine embroidery work. The eyes of the women doing this work get damaged. One day this was brought to my attention; I thought, I don’t want to answer to Allah for the damage done to the eyes of my workers. So I said to them, go home, and I closed the factory.’

The official smiled ironically. Another of those Muslims who drink whisky and mention Allah in every other sentence.

He put the shirt back in its box and tucked it under his arm. ‘What made you reopen the factory, then?’

Abbasi bunched his fingers and jabbed them into his mouth. ‘A man has to eat, sahib.’

They went down the stairs together, Ummar following three steps behind. When they reached the bottom, the official saw a dark opening to his right. He took a step towards the darkness. In the dim light of the room, he saw women with white shirts on their laps, stitching threads into half-finished dragons. He wanted to see more, but Abbasi said: ‘Why don’t you go in, sahib. I’ll wait out here.’

He turned and looked at the wall, while Ummar took the official around the factory floor, introduced him to some of the workers, and led him back out. The official extended his hand to Abbasi just before he left.

I shouldn’t have touched him, Abbasi thought, the moment he closed the door.

At 6 p.m., half an hour after the women left the stitching room for the day, Abbasi closed the factory, got into his Ambassador car, and drove from the Bunder towards Kittur; he could think about one thing only.

Corruption. There is no end to it in this country. In the past four months, since he had decided to reopen his shirt factory, he had had to pay off:

The electricity man; the water board man; half the income tax department of Kittur; half the excise department of Kittur; six different officials of the telephone board; a land tax official of the Kittur City Corporation; a sanitary inspector from the Karnataka State Health Board; a health inspector from the Karnataka State Sanitation Board; a delegation of the All India Small Factory Workers’ Union; delegations of the Kittur Congress party, the Kittur BJP, the Kittur Communist Party, and the Kittur Muslim League.

The white Ambassador car went up the driveway of a large, whitewashed mansion. At least four evenings a week Abbasi came to the Canara Club, to a small air-conditioned room with a green billiards table, to play snooker and drink with his friends. He was a good shot, and his aim deteriorated after his second whisky, so his friends liked to play long sets with him.

‘What’s bothering you, Abbasi?’ asked Sunil Shetty, who owned another shirt factory in the Bunder. ‘You’re playing very rashly tonight.’

‘Another visit from the electricity department. A real bastard this time. Dark-skinned fellow. Lower-caste of some kind.’

Sunil Shetty purred in sympathy; Abbasi missed his shot.

Halfway through the game, the players all moved away from the table, while a mouse scurried across the floor, running along the walls until it found a hole to vanish into.

Abbasi banged his fist on the edge of the table.

‘Where does all our membership money go? They can’t even keep the floors clean! You see how corrupt the management of the club is?’

After that, he sat quietly with his back to the sign that said ‘RULES OF THE GAMES MUST BE FOLLOWED AT ALL TIMES’ and watched the others play, while resting his chin on the end of his cue stick.

‘You are tense, Abbasi,’ said Ramanna Padiwal, who owned a silk-and-rayon store on Umbrella Street and was the best snooker-shark in town.

To dispel this myth, Abbasi ordered whiskies for everyone, and they stopped playing and held their glasses wrapped in paper napkins as they sipped. As always, what they talked about first was the whisky itself.

‘You know that chap who goes around from house to house offering to pay twenty rupees if you sell him your old cartons of Johnnie Walker Red Label,’ Abbasi said. ‘ To whom does he sell those cartons in turn?’

The others laughed.

‘For a Muslim, you’re a real innocent, Abbasi,’ Padiwal, the used-car salesman, said with a laugh. ‘Of course he sells them to the bootlegger. That’s why the Johnnie Walker Red you buy from the store, even if it comes in a genuine bottle and genuine carton, is bootlegged.’

Abbasi spoke slowly, drawing circles in the air with his finger: ‘So I sold the carton…to the man who will sell it to the man who will bootleg the stuff and sell it back to me? That means I’ve cheated myself?’

Padiwal shot a look of wonderment at Sunil Shetty and said: ‘For a Muslim, this fellow is a real…’

This was a sentiment that was widespread among the industrialists – ever since Abbasi had shut down his factory because the work was damaging the eyesight of his employees. Most of the snooker-players owned, or had invested in, factories that employed women in the same manner; none had dreamed of closing a factory down because a woman here or a woman there went blind.

Sunil Shetty said: ‘The other day I read in the Times of India that the chief of Johnnie Walker said, there is more Red Label consumed in the average small Indian town than is produced in all...

Table of contents

• Cover
• Praise for Between the Assassinations
• Also by Aravind Adiga
• Copyright
• Dedication
• Arriving in Kittur
• How the Town is Laid Out
• The History of Kittur
• The Languages of Kittur
• Kittur: Basic Facts
• Chronology