Curating and the Legacies of Colonialism in Contemporary Iberia
eBook - ePub

Curating and the Legacies of Colonialism in Contemporary Iberia

  1. 304 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Curating and the Legacies of Colonialism in Contemporary Iberia

About this book

Combining postcolonial studies, curating and contemporary art, this book surveys the role played by artistic curatorship and contemporary art museums in the shaping of identities and cultural planning in contemporary Iberia. The book's main hypothesis is that contemporary art has been pivotal in the construction of contemporary Iberia, a process marked by the attention paid (in heterogeneous, not always satisfactory ways) to the entanglement of the legacies of colonialism and the present-day status of Iberian territories as cosmopolitan societies now integrated in the European Union. It is argued that, at least from the 1990s, curating emerged as a key activity for Iberian societies to display and configure an image of themselves as modern and fully integrated in the European cultural landscape. Such an image, however, had to cope with the legacies of colonialism and the profound socioeconomic transformations of these societies. This book is concerned with bringing together, while redefining and expanding, Iberian and curatorial studies.

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Yes, you can access Curating and the Legacies of Colonialism in Contemporary Iberia by Carlos Garrido Castellano,Bruno Leitão in PDF and/or ePUB format, as well as other popular books in Art & Art General. We have over one million books available in our catalogue for you to explore.

Information

Edition
1
Topic
Art
Subtopic
Art General

Table of contents

  1. Cover
  2. Title
  3. Copyright
  4. Contents
  5. Series Editors’ Foreword
  6. Acknowledgements
  7. List of Contributors
  8. List of Illustrations
  9. Introduction: Fictions of Cosmopolitanism, Spectacles of Alterity. Curating and the (Un)Making of Coloniality in Contemporary Iberia
  10. Part I: Displaying Coloniality
  11. Part II: Curating beyond Exhibition-Making
  12. Part III: Interventions
  13. Notes