
eBook - ePub
Technologies of the Self-Portrait
Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art
- 152 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
Technologies of the Self-Portrait
Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art
About this book
This book demonstrates how artists have radically revisited the genre of the self-portrait by using a range of technologies and media that mark different phases in what can be described as a history of self- or selves-production.
Gabriella Giannachi shows how artists constructed their presence, subjectivity, and personhood, by using a range of technologies and media including mirrors, photography, sculpture, video, virtual reality and social media, to produce an increasingly fluid, multiple, and social representation of their 'self'.
This interdisciplinary book draws from art history, performance studies, visual culture, new media theory, philosophy, computer science, and neuroscience to offer a radical new reading of the genre.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Technologies of the Self-Portrait by Gabriella Giannachi in PDF and/or ePUB format, as well as other popular books in Art & Art General. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Half Title
- Series Page
- Title Page
- Copyright Page
- Dedication
- Table of Contents
- List of figures
- Acknowledgements
- Introduction
- 1. The invention of the self-portrait
- 2. The photographic self-portrait
- 3. Sculpting the self
- 4. Video self-portraits
- 5. The selfie
- Conclusion
- References
- Index