Dance and Drama in French Baroque Opera
eBook - PDF

Dance and Drama in French Baroque Opera

A History

  1. English
  2. PDF
  3. Available on iOS & Android
eBook - PDF

Dance and Drama in French Baroque Opera

A History

About this book

Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. Dance and Drama in French Baroque Opera exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement - present in every act of every opera - is essential to understanding the work. The book considers the operas of Lully - his lighter works as well as his tragedies - and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Académie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera.

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Yes, you can access Dance and Drama in French Baroque Opera by Rebecca Harris-Warrick in PDF and/or ePUB format, as well as other popular books in Médias et arts de la scène & Musique d'opéra. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. Half-title page
  3. Series page
  4. Title page
  5. Copyright page
  6. Dedication
  7. Contents
  8. List of Figures
  9. Acknowledgements
  10. Notes to the text
  11. List of Abbreviations
  12. Introduction
  13. Part I Lully
  14. Part II The Rival Muses in the Age of Campra
  15. Epilogue
  16. Appendix 1 Works Performed at the Académie Royale de Musique, 1695–1732, in Which the Impact of the Comédie Italienne Can Be Seen
  17. Appendix 2 A Partial List of Performances Consisting of “Fragments,” 1702–1732[sup(1)]
  18. Bibliography
  19. Index of People and Terms
  20. Index of Works