
- English
- PDF
- Available on iOS & Android
About this book
Protecting designs is complex and diverse; it involves deciding whether to protect them by design law, copyright law, or by both laws. A single protection may be under- or overprotective but two or more can be overprotective if there are no rules regulating the overlap. Legal systems in Europe and abroad have struggled to find the most adequate solution to this problem. This book traces the history of the design/copyright interface of fifteen countries, selected for their diversity in the way they dealt with the interface. It examines how these countries have coped with the problems engendered by the interface, the rules they applied to it over time and the reasons for legislative changes. This analysis reveals the most appropriate rules to regulate the interface at EU and global level and will appeal to academics, practising lawyers, judges, students and policymakers all over the world.
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Information
Table of contents
- Cover
- Half-title page
- Series page
- Title page
- Copyright page
- Dedication
- Contents
- List of Figures
- List of Contributors
- Preface
- Introduction
- 1 The Copyright/Design Interface in France
- 2 The Copyright/Design Interface in the Netherlands
- 3 The Copyright/Design Interface in Greece
- 4 The Copyright/Design Interface in Scandinavia
- 5 The Case for Partial Cumulation in Germany
- 6 The Design/Copyright Conflict in the United Kingdom: A History
- 7 The Copyright/Design Interface in Australia
- 8 The Copyright/Design Interface in Italy
- 9 ‘Courts Have Twisted Themselves into Knots’ (and the Twisted Knots Remain to Untangle): US Copyright Protection for Applied Art after Star Athletica
- 10 US Design Patent Law: A Historical Look at the Design Patent/Copyright Interface
- 11 The Copyright/Design Interface in Japan
- 12 A Model Copyright/Design Interface: Not an Impossible and Undesirable Task?
- Index