
Do Not Separate Her from Her Garden
Anne Spencer's Ecopoetics
- 192 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Anne Spencer's identity as an artist grew from her relationship to the natural world. During the New Negro Renaissance with which she is primarily associated, critics dismissed her writings on nature as apolitical and deracinated. Do Not Separate Her from Her Garden corrects that misconception, showing how Spencer used the natural world in innovative ways to express her Black womanhood, feminist politics, spirituality, and singular worldview. Employing ecopoetics as an analytical frame, Carlyn Ferrari recenters Spencer's archive of ephemeral writings to cut to the core of her artistic ethos. Drawing primarily on unpublished, undated poetry and prose, this book represents a long overdue reassessment of an underappreciated literary figure. Not only does it resituate Spencer in the pantheon of American women of letters, but it uses her environmental credo to analyze works by Alice Walker, Zora Neale Hurston, and Dionne Brand, positioning ecocritical readings as a new site of analysis of Black women's writings.
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Information
Table of contents
- Cover
- Copyright Page
- Dedication
- Contents
- Acknowledgments
- Preface
- Introduction: Anne Spencerâs (Re)Vision of Nature
- 1. ââLeventy-Leven Bits Stuck in As Many Different Placesâ: Anne Spencerâs Eccentricity
- 2. âThis Small Garden Is Half My Worldâ: Anne Spencerâs Ecopoetics
- 3. âGod Never Planted a Gardenâ: Anne Spencerâs Ecotheology
- 4. âI Proudly Love Being a Negro Womanâ: Anne Spencerâs âNaturalâ Means of Expression
- 5. Do Not Separate Them from Their Gardens: Black Womenâs Writings and Ecopoetics
- Coda: âIf People Were Like Flowersâ
- Afterword: Lessons from Anne Spencer
- Notes
- Bibliography
- Index