
- 336 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
Indigeneity in Latin American Cinema
About this book
Indigeneity in Latin American Cinema explores how contemporary films (2000-2020) participate in the evolution and circulation of images and sounds that in many ways define how indigenous communities are imagined, at a local, regional and global scale. The volume reviews the diversity of portrayals from a chronological, geopolitical, linguistic, epistemic-ontological, transnational and intersectional, paradigm-changing and self-representational perspective, allocating one chapter to each theme. The corpus of this study consists of 68 fictional features directed by non-indigenous filmmakers, 31 cinematic works produced by indigenous directors/communities, and 22 Cine Regional (Regional Cinema) films. The book also draws upon a significant number of engravings, drawings, paintings, photographs and films, produced between 1493 and 2000, as primary sources for the historical review of the visual representations of indigeneity. Through content and close (textual) analysis, interviews with audiences, surveys and social media posts analysis, the author looks at the contexts in which Latin American films circulate in international festivals and the paradigm shifts introduced by self-representational cinema and Roma (Mexico, 2018). Conclusively, the author provides the foundations of histrionic indigeneity, a theory that explains how overtly histrionic proclivities play a significant role in depictions of an imagined indigenous Other in recent films.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Indigeneity in Latin American Cinema by Milton Fernando Gonzalez Rodriguez in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film & Video. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Half Title
- Title
- Copyright
- Contents
- Illustrations
- Acknowledgements
- Basis: Introduction
- 1 Mimesis: Circulation of ideas and images
- 2 Metropolis: Production of audiovisual cultural artefacts
- 3 Lexis: Portrayals of linguistic topologies
- 4 Emphasis: Embodiment of indigeneity
- 5 Axis: Identities and global imaginaries
- 6 Catalysis: Paradigms and disruption
- 7 Wääjx äp: Epistemic and ontological repositioning
- Synopsis: Conclusion
- Notes
- Bibliography
- Filmography
- Index