
- 144 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
The Art of Activism and the Activism of Art
About this book
Explore the dynamic intersection of art and activism in this insightful exploration of contemporary cultural movements.
Since the 2008 global financial crash, artists have increasingly engaged in cultural activism, challenging capitalism, authoritarianism, and social inequalities. The Art of Activism and the Activism of Art maps this territory, offering a critical history of activist art and its evolving forms.
Gregory Sholette, both a scholar and an activist artist, provides a unique perspective on this phenomenon. He examines the subtle distinctions between activist art and protest by artists, revealing a paradigm shift driven by the crises of contemporary capitalism. Discover how artists are using their work to challenge power, promote social justice, and navigate the complex landscape of art and politics. This is a must-read for anyone seeking to understand the power of art as a catalyst for change. Target audience: Artists, art students, art historians, cultural critics, activists.
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Information
Table of contents
- Cover
- Copyright
- Title Page
- Contents
- Foreword by Marcus Verhagen
- Chapter 1. The Contemporary Artist as Activist: This is Not Just a Test
- Chapter 2. The Situationists’ Total Critique, and Total Cure
- Chapter 3. Grupo de Artistas de Vanguardia
- Chapter 4. Escaping the Long Greenbergian Shadow
- Chapter 5. 1968 and After: The Phantom Archive of Social-Movement Culture
- Chapter 6. 1970s: The Activist Turn in Art
- Chapter 7. 1980s: Artists respond to the Neoliberal Turn
- Chapter 8. 1990s: Repurposing Situationism as Tactical Media
- Chapter 9. Back to the Streets: From Tactical Media to Occupy Wall Street (2011)
- Chapter 10. Institutional Critique or Cultural Abolition?
- Chapter 11. 2016 and After: Winter Is Coming/Winter Is Here
- Chapter 12. Black Lives Matter: Fugitivity in Plain Sight
- Chapter 13. The Contemporary Artist as Activist: Conjectures, Hauntologies and Inconclusions
- Notes
- Appreciation
- Further reading and archives
- Image credits