
- 996 pages
- English
- PDF
- Available on iOS & Android
About this book
In the 19th century Hungary witnessed unprecedented social, economic and cultural development. The country became an equal partner within the Dual Monarchy when the Austro-Hungarian Compromise of 1867 was concluded. Architecture and all forms of design flourished as never before. A distinctly Central European taste emerged, in which the artistic presence of the German-speaking lands was augmented by the influence of France and England. As this process unfolded, attempts were made to find a uniquely Hungarian form, based on motifs borrowed from peasant art as well as real (or fictitious) historical antecedents.
"Motherland and Progress" – the motto of 19th-century Hungarian reformers – reflected the programme embraced by the country in its drive to define its identity and shape its future.
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Table of contents
- Contents
- Preface
- Introduction
- Part One. Neo-Classicism (1800–1840)
- Part Two. Romanticism (1840–1870)
- Part Three. Historicism (1870–1900)
- Notes
- Bibliography
- Picture Credits
- Name Index
- Place Index