
The Costs of the Gig Economy
Musical Entrepreneurs and the Cultural Politics of Inequality in Northeastern Brazil
- English
- ePUB (mobile friendly)
- Available on iOS & Android
The Costs of the Gig Economy
Musical Entrepreneurs and the Cultural Politics of Inequality in Northeastern Brazil
About this book
Drawing on years of fieldwork, Enriquez shows how forcing artists to adopt "neutral" market solutions reinforces, and generates, overlapping racial and class-based inequalities. Lacking the social and financial resources of their middle-class peers, working-class musicians find it difficult to uphold institutional goals of connecting the city's cultural roots to global markets and consumers. Enriquez also links the artists' situation to that of cultural and creative workers around the world. As she shows, musical sponsorship in Recife and the contemporary gig economy elsewhere employ processes that, far from being neutral, uphold governmental and corporate ideologies that produce social stratification.
Rich and vibrant, The Costs of the Gig Economy offers a rare English-language portrait of the changing musical culture in Recife.
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Information
Table of contents
- Cover
- Halftitle
- Title Page
- Copyright
- Dedication
- Contents
- Acknowledgments
- Introduction: Setting the Musical Scene in Recife, Brazil
- 1 Enterprising Individuals: Contrasting Forms of Musical Entrepreneurship in Pernambuco
- 2 A Roda’s Rooted Cosmopolitan Groove: Aesthetically and Practically Negotiating Multiculturalism and Entrepreneurialism
- 3 Maracatu Nação Cambinda Estrela: Celebration and Struggle against Multicultural Neoliberalism
- 4 Rooted Cosmopolitanism at the FCP: Constructing a Multicultural State and Institutionalizing Entrepreneurial Standards
- 5 “Getting By” on Music: Entrepreneurs Negotiate Recife’s Music Scene in Crisis, 2013–2021
- Conclusion
- Notes
- References
- Index