
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
In Stepford Daughters, Johanna Isaacson explores an emerging wave of horror films that get why class horror and gender horror must be understood together.
In doing so, Isaacson makes the case that this often-maligned genre is in fact a place where oppressed people can understand, navigate and confront an increasingly ugly and horrifying world. Films like Hereditary and The Babadook show women coming apart at the seams as the promises of both the family and waged work fail them. In Get Out, we see how poor women and women of color perform the invisible labor that holds up our society, experiencing domestic work as a kind of possession. In "coming of rage" films such as Assassination Nation and Teeth, we see the ways social reproduction leads to a futureless horizon. Robbed of their dreams but not their power to resist, these heroines emerge as the monsters and avengers we need.
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Information
Table of contents
- Cover
- Copyright
- Title Page
- Contents
- Acknowledgments
- Introduction: Class Horror Is Gender Horror
- Chapter 1: It’s Coming from Inside/Outside the House: Horror as Care Strike
- Chapter 2: It’s Coming from Inside the Boss’s House: Horror and Waged Domestic Work
- Chapter 3: The Telltale Managed Heart: Service Labor and Emotional Labor in Contemporary Horror
- Chapter 4: Coming of Rage: Teens Entering the Futureless Future in Contemporary Horror
- Coda: Becoming Monster
- About the Author
- About Common Notions
- More from Common Notions
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