Community-based Traditional Music in Scotland
eBook - ePub

Community-based Traditional Music in Scotland

A Pedagogy of Participation

  1. 170 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Community-based Traditional Music in Scotland

A Pedagogy of Participation

About this book

This book examines the community-based learning and teaching of 'traditional' music in contemporary Scotland, with implications for transnational theoretical issues. The book draws on a broad range of scholarship and a local case study of a large organisation. A historical perspective provides an overview of new educational formats emerging from the mid-twentieth century folk music revival in Scotland. Practices through which participants encounter and perpetuate the idiom of traditional music include social music-making, learning by ear and participatory and presentational elements of musical performances. Individuals are shown as combining these aspects with their own learning strategies to participate in the contemporary community of practice of traditional music. The work also discusses how experiences of learning contribute to identity formation, including the role and practice of 'tutors' of traditional music. The author proposes conceptualising the teaching and learning of traditional music in community-based organisations as a 'pedagogy of participation'.

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Yes, you can access Community-based Traditional Music in Scotland by Josephine L. Miller in PDF and/or ePUB format, as well as other popular books in Mezzi di comunicazione e arti performative & Etnomusicologia. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. Half-Title
  3. Series
  4. Title
  5. Copyright
  6. Dedication
  7. Contents
  8. List of Figures
  9. List of Music Examples
  10. Acknowledgements
  11. Preface
  12. 1 Learning and teaching traditional music: Refocusing the questions
  13. 2 ‘A passport into a community’: Setting the scene
  14. 3 ‘I’m a better learner now’: In the class
  15. 4 ‘Actually doing it’: Participating in performance
  16. 5 ‘You can make it your own’: Individual musical trajectories and organisational constraints
  17. 6 ‘A sense of who we are’: Creating a musical identity
  18. 7 Community-based learning and teaching: Towards a pedagogy of participation
  19. References
  20. Index