
- 304 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
The enduring queer feminist engagement with Valley of the Dolls author Jacqueline Susann's camp comedy legacy.
Catalyzed by her notoriously "dirty, " fabulously successful bestseller Valley of the Dolls, the "Jackie Susann Sixties" brimmed with camp comedy that now permeates contemporary celebrations of the author, from Pee-wee's Playhouse to RuPaul's Drag Race and Lee Daniels's Star. First christened "camp" by Gloria Steinem in an excoriating review of Valley of the Dolls and compounded by the publishing juggernauts The Love Machine (1969), Once Is Not Enough (1973), and Dolores (1976), the comedy of Jackie Susann illuminated conflicting positions about gender, sexuality, and aesthetic value. Through a writing formula that Ken Feil calls sleazy realism, Susann veers from gossip to confession and devises comedies of bad manners spun from real celebrities whose occasionally queer and always outré antics clashed with their "official" personas, the popular genres they were famous for, and the narrow, normative constructions of identity and reality shaped by the culture industry. Susann's promotional appearances led to another comedy of bad manners, this one populated with critics alternately horrified and delighted by an upstart woman vulgarian barging into the male literary firmament, and which continues to inspire fascination for the author, her novels, and their legendarily bad film adaptations.
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Information
Table of contents
- Cover
- Title Page
- Copyright Page
- Dedication
- Contents
- Acknowledgments
- Introduction
- 1. Sleazy Realism and the Single Girl: Valley of the Dolls, the Roman à Clef, and the Comedy of Bad Manners
- 2. The Roman à Closet: Queer Irony, Closet Plotlines, and The Love Machine
- 3. Wit Is Not Enough: Comedic Gossip, Camping Susann, and Women’s Authorship
- 4. Dykes, Gays, and Dolls: From the Queer Cult Following to the Gay Susann Revival
- 5. The Laugh Machine: Telling the Jacqueline Susann Story
- Conclusion: Sleazy Summaries and Camp Positions: Lee Daniels, Carrie Fisher, and the Legacy of the Susann Sensibility
- Notes
- References
- Index