
- 300 pages
- English
- PDF
- Available on iOS & Android
About this book
Known in the West primarily through poorly subtitled films, Chinese martial arts fiction is one of the most iconic and yet the most understudied form of modern sinophone creativity. Current scholarship on the subject is characterized by three central assumptions against which this book argues: first, that martial arts fiction is the representation of a bodily spectacle that historically originated in Hong Kong cinema; second, that the genre came into being as an escapist fantasy that provided psychological comfort to people during the height of imperialism; and third, that martial arts fiction reflects a patriotic attitude that celebrates the greatness of Chinese culture, which in turn is variously described as the China-complex, colonial modernity, essentialized identity, diasporic consciousness, anxieties about globalization, or other psychological and ideological difficulties experienced by the Chinese people.
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Information
Table of contents
- i Half Title Page
- iii Title Page
- vi Copyright Page
- vii Contents
- ix Acknowledgments
- Introduction
- Chapter1 The Vicissitudes of Anticolonial Nationalism
- Chapter2 Women and Martial Arts
- Chapter3 The Permanent Arms Economy
- Chapter4 Jin Yong's Islam in the Chinese Cultural Revolution
- Chapter5 A Tale of Two Chinas
- Bibliography
- Index
- Cornell East Asia Series