Fantasmic Objects
eBook - ePub

Fantasmic Objects

Art and Sociality from Lebanon, 1920–1950

  1. 374 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Fantasmic Objects

Art and Sociality from Lebanon, 1920–1950

About this book

In Lebanon, the study of modern art—rather than power or hierarchy—has compelled citizens to confront how they define themselves as a postcolonial nation.

In Fantasmic Objects, Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship.

Examining the efforts of painters, sculptors, and activists in Lebanon who fiercely upheld aesthetic development and battled for new forms of political being, Fantasmic Objects offers an insightful approach to the history and formation of modern Lebanon.

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Yes, you can access Fantasmic Objects by Kirsten L. Scheid in PDF and/or ePUB format, as well as other popular books in Social Sciences & Art General. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. Title Page
  3. Copyright
  4. Contents
  5. Preamble
  6. Acknowledgments
  7. Notes on Language
  8. Notes on Sources
  9. 1. Introduction: No Art Here
  10. 2. Exhibitions: Sociality as Fantasm
  11. 3. Nudes: The Citizen as Fantasm
  12. 4. Landscapes: The Nation as Fantasm
  13. 5. Art Lessons: Fantasmic Formations of the “Lady-Artist”
  14. 6. Portraits: Toward a Fantasmic Ontology of Art Acts
  15. Conclusion: Between Art and Here
  16. Bibliography
  17. Index
  18. About the Author