
- English
- PDF
- Available on iOS & Android
The Cambridge Companion to Literature on Screen
About this book
This Companion offers a multi-disciplinary approach to literature on film and television. Writers are drawn from different backgrounds to consider broad topics, such as the issue of adaptation from novels and plays to the screen, canonical and popular literature, fantasy, genre and adaptations for children. There are also case studies, such as Shakespeare, Jane Austen, the nineteenth-century novel and modernism, which allow the reader to place adaptations of the work of writers within a wider context. An interview with Andrew Davies, whose work includes Pride and Prejudice (1995) and Bleak House (2005), reveals the practical choices and challenges that face the professional writer and adaptor. The Companion as a whole provides an extensive survey of an increasingly popular field of study.
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Information
Table of contents
- Cover
- THE CAMBRIDGE COMPANION TOLITERATURE ON SCREEN
- Title
- Copyright
- CONTENTS
- NOTES ON CONTRIBUTORS
- Introduction – Literature on screen:a synoptic view
- PART ONE: Theories of literature on screen
- PART TWO: History and contexts
- PART THREE: Genre, industry, taste
- PART FOUR: Beyond the ‘‘literary’’
- 13 Classic literature and animation: all adaptations are equal, but some are more equal than others
- 14 High fidelity? Music in screen adaptations
- 15 From screen to text: novelization, the hidden continent
- 16 A practical understanding of literature on screen: two conversations with Andrew Davies
- FURTHER READING
- INDEX
- Cambridge companions to . . .AUTHORS
- TOPICS