The Cambridge Companion to Brian Friel
About this book
Brian Friel is widely recognized as Ireland's greatest living playwright, winning an international reputation through such acclaimed works as Translations (1980) and Dancing at Lughnasa (1990). This 2006 collection of specially commissioned essays includes contributions from leading commentators on Friel's work (including two fellow playwrights) and explores the entire range of his career from his 1964 breakthrough with Philadelphia, Here I Come! to his most recent success in Dublin and London with The Home Place (2005). The essays approach Friel's plays both as literary texts and as performed drama, and provide the perfect introduction for students of both English and Theatre Studies, as well as theatregoers. The collection considers Friel's lesser-known works alongside his more celebrated plays and provides a comprehensive critical survey of his career. This is a comprehensive study of Friel's work, and includes a chronology and further reading suggestions.
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Information
Table of contents
- Cover
- The Cambridge Companion to: Brian Friel
- Title
- Copyright
- CONTENTS
- CONTRIBUTORS
- ACKNOWLEDGMENTS
- NOTE ON THE TEXT
- CHRONOLOGY
- 1 Introduction
- 2 The early plays
- 3 Surviving the 1960s: three plays by Brian Friel 1968–1971
- 4 Friel and the Northern Ireland “Troubles” play
- 5 Family affairs: Friel’s plays of the late 1970s
- 6 Five ways of looking at Faith Healer
- 7 Translations, the Field Day debate and the re-imagining of Irish identity
- 8 Dancing at Lughnasa and the unfinished revolution
- 9 The late plays
- 10 Friel’s Irish Russia
- 11 Friel and performance history
- 12 Friel’s dramaturgy: the visual dimension
- 13 Performativity, unruly bodies and gender in Brian Friel’s drama
- 14 Brian Friel as postcolonial playwright
- SELECT BIBLIOGRAPHY
- INDEX
