Composition, Non-Composition
Architecture and Theory in the Nineteenth Centuries
- English
- PDF
- Available on iOS & Android
About this book
In architecture, composition refers to the conception of a building according to principles of regularity and hierarchy, or according to the principles of obtaining equilibrium. However, it is not until the beginning of the nineteenth century that the notion of composition becomes truly associated with architectural conception, notably under the influence of Jean-Nicolas-Louis Durand and his statement on the Marche à suivre dans la composition d'un project quelconque [Procedure to be followed in the composition of any project]. The concept quickly erodes during the twentieth century, with the adoption of neutral architectural devices, the use of aggregative processes, and the adoption of "objective" operations, all of which can be under- stood as an attempt to move beyond compositional principles. In Composition, Non-Composition, Jacques Lucan invites his readers to consider this novel historical perspective of architectural theory. The author describes the interaction of ideas that often clash with one another, with some that fade away as others emerge, thus offering invaluable keys to understanding contemporary architecture. Although this book is primarily addressed to students of architecture, it will also appeal to architects, historians of architecture, as well as to the interested public.
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Table of contents
- Acknowledgements
- Preface
- Table of Contents
- 1 Distribution, Disposition, Composition
- CLOSED ORDER
- 2 “Procedure to Be Followed in the Composition of Any Project.” – Jean-Nicolas-Louis Durand
- 3 Symmetrical Suites and Interior Landscapes
- 4 To Compose an Ensemble
- 5 Compositional Hierarchy and Intelligibility
- 6 The Beaux-Arts System: The Ateliers
- 7 The Beaux-Arts System: Les Concours
- 8 The Beaux-Arts System: Architectural Theory
- 9 A Theory of La Pièce – Julien Guadet
- 10 Implicit Principles
- 11 The End of the École des Beaux-Arts System
- 12 The American Deviation
- NEW PARADIGM – THE CONSTRUCTION
- 13 Systems of Architecture
- 14 The Architectural Organism – Eugène Viollet-le-Duc
- 15 Modern Construction – Composition or Growth
- NEW PARADIGM – IRREGULARITY
- 16 Composition and Juxtaposition
- 17 Composition and Picturesque
- 18 Formal, Informal
- OPEN ORDER
- 19 Composition and Parcours – Auguste Choisy and the Greek Picturesque
- 20 Convex Space – Le Corbusier and the Free Plan
- 21 The Enclosure Breached – Space and Time
- 22 Painting and Architecture – Le Corbusier: In the Defense of Composition
- 23 Collage and Assemblage – Composition or Construction
- COMPOSITION, NON-COMPOSITION
- 24 Grid and Neutrality
- 25 Aggregative Structures and the Non-Plan
- 26 The Room and Beyond Louis I. Kahn
- 27 Concavity and Convexity, Once Again
- 28 Formalism and Linguistic Paradigm
- 29 Process and Program Versus Composition – Rem Koolhaas
- 30 Operation Versus Composition – Unitary Form and Interdependence of Elements
- Index
- Selective Bibliography
- Figure Credits