Ekphrasis, Memory and Narrative after Proust
eBook - ePub

Ekphrasis, Memory and Narrative after Proust

Prose Pictures and Fictional Recollection

  1. 256 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Ekphrasis, Memory and Narrative after Proust

Prose Pictures and Fictional Recollection

About this book

This book explores the relationship between ekphrasis and memory in the novel. Drawing on ƀ la recherche du temps perdu, Leonid Bilmes considers how Vladimir Nabokov, W. G. Sebald, Ben Lerner, Ali Smith and Lydia Davis have employed and reshaped Proust's way of depicting the recollected past.

In Ada, Austerlitz, 10:04, How to Be Both and The End of the Story, memory images are variously transposed into intermedial descriptions that inform the narrator's story, just as they serve to shape the reader's own remembrance of each of these narratives. Ekphrasis in the novel after Proust, Bilmes argues, acts as a distinct site within the text where past and present, self and other, image and text, seeing and hearing, are ever on the brink of reconciliation.

The book surveys a wide field of critical inquiry, encompassing classical theorizations of ekphrasis, philosophical explorations of memory and visuality, as well as seminal studies of image-text relations by, among others, W. J. T. Mitchell, Jean-Luc Nancy and Liliane Louvel. Bilmes's compelling dialogue with theory and literature evinces the underexplored bond between ekphrasis and memory in the contemporary novel.

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Yes, you can access Ekphrasis, Memory and Narrative after Proust by Leonid Bilmes in PDF and/or ePUB format, as well as other popular books in Literature & English Literary Criticism. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Cover
  2. Halftitle Page
  3. Title Page
  4. Dedication Page
  5. Contents
  6. List of illustrations
  7. Acknowledgements
  8. Introduction: On seeing prose pictures
  9. 1 Proust’s way: Ekphrasis, memory, narrative
  10. 2 After Proust: By way of ironized nostalgia
  11. 3 Description and narration in Vladimir Nabokov’s Ada or Ardor
  12. 4 Narration’s looming of the archive in W. G. Sebald’s Austerlitz
  13. 5 Retrospect, prospect and the fiction of the face in Ben Lerner’s 10:04
  14. 6 Commemoration via intermedial lamination in Ali Smith’s How to Be Both
  15. 7 Writing forgetting in Lydia Davis’s The End of the Story
  16. Conclusion
  17. Works cited
  18. Index
  19. Imprint