
- 186 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
In The Limits of Autobiography, Leigh Gilmore analyzes texts that depict trauma by combining elements of autobiography, fiction, biography, history, and theory in ways that challenge the constraints of autobiography. Astute and compelling readings of works by Michel Foucault, Louis Althusser, Dorothy Allison, Mikal Gilmore, Jamaica Kincaid, and Jeanette Winterson explore how each poses the questions "How have I lived?" and "How will I live?" in relation to the social and psychic forms within which trauma emerges.
First published in 2001, this new edition of one of the foundational texts in trauma studies includes a new preface by the author that assesses the gravitational pull between life writing and trauma in the twenty-first century, a tension that continues to produce innovative and artful means of confronting kinship, violence, and self-representation.
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Table of contents
- Acknowledgments
- Preface to the 2023 Edition
- Introduction: The Limits of Autobiography
- 1. Represent Yourself
- 2. Bastard Testimony: Illegitimacy and Incest in Dorothy Allisonās Bastard Out of Carolina
- 3. There Will Always Be a Father: Transference and the Auto/biographical Demand in Mikal Gilmoreās Shot in the Heart
- 4. There Will Always Be a Mother: Jamaica Kincaidās Serial Autobiography
- 5. Without Names: An Anatomy of Absence in Jeanette Wintersonās Written on the Body
- Conclusion The Knowing Subject and an Alternative Jurisprudence of Trauma
- Bibliography
- Index