
- 250 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Ryder
About this book
From the author of Nightwood, Djuna Barnes has written a book that is all that she was, and must still be vulgar, beautiful, defiant, witty, poetic, and a little mad.
Told as through a kaleidoscope, the chronicle of the Ryder family is a bawdy tale of eccentricity and anarchy; through sparkling detours and pastiche, cult author Djuna Barnes spins an audacious, intricate story of sexuality, power, and praxis.
Ryder, like its namesake, Wendell Ryder, is many things—lyric, prose, fable, illustration; protagonist, bastard, bohemian, polygamist. Born in the 1800s to infamous nonconformist Sophia Grieve Ryder, Wendell's search for identity takes him from Connecticut to England to multifarious digressions on morality, tradition, and gender. Censored upon its first release in 1928, Ryder's portrayal of sexuality remains revolutionary despite the passing of time and the expurgations in the text, preserved by Barnes in protest of the war "blindly raged against the written word." The weight of Wendell's story endures despite this censorship, as his drive to assume the masculine roles of patriarch and protector comes at the sacrifice of the women around him.
A vanguard modernist, Djuna Barnes has been called the patron literary saint of Bohemia, and her second novel, Ryder, evinces her cutting wit and originality. The nonlinear structure and polyphonic narration pull the reader into Barnes' harlequin world like a riptide, echoing the melodic cascade of James Joyce's Ulysses and the avant-garde feminism of Dorothy Richardson. The novel is a rhapsodic saga that could have come only from Barnes' pen—and politics—as impactful today upon at its first pressing, a document of sexual revolution and censorship.
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Information
Table of contents
- Cover
- Copyright
- Title Page
- Dedication
- Contents
- Foreword
- A Note on the Text and Illustrations
- 1: Jesus Mundane
- 2: Those Twain—Sophia’s Parents!
- 3: Sophia and the Five Fine Chamber-pots
- 4: Wendell Is Born
- 5: Rape and Repining!
- 6: Portrait of Amelia’s Beginning
- 7: Sophia Tells Wendell How He Was Conceived
- 8: Pro and Con, or the Sisters Louise
- 9: Tears, Idle Tears!
- 10: The Occupations of Wendell
- 11: However, for the Reader’s Benefit
- 12: Amelia Hears from Her Sister in re Hisodalgus, That Fine Horse
- 13: Midwives’ Lament, or the Horrid Outcome of Wendell’s First Infidelity
- 14: Sophia’s Last Will and Testament
- 15: Who Was the Girl?
- 16: The Coming of Kate-Careless, a Rude Chapter
- 17: What Kate Was Not
- 18: Yet for Vindication of Wendell
- 19: Amelia and Kate Taken to Bed
- 20: Amelia Dreams of the Ox of a Black Beauty
- 21: Wendell Dresses His Child
- 22: And Amelia Sings a Lullaby
- 23: Wendell Tells the Mystery to Julie and to Timothy
- 24: Julie Becomes What She Had Read
- 25: Amelia Hears from Her Sister in Regard to a Pasty
- 26: Kate and Amelia Go A-Dunging
- 27: The Beast Thingumbob
- 28: If Some Strong Woman—
- 29: The Psychology of Nicknames
- 30: The Cat Comes Out of the Well
- 31: No Greater Love Hath Any Man
- 32: The Soliloquy of Dr. Matthew O’Connor (Family Physician to the Ryders) on the Way to and from the Confessional of Father Lucas
- 33: Be She What She May
- 34: They Do Not Much Agree
- 35: Amelia Hears from Her Sister in Regard to Timothy
- 36: Amelia Tells a Bed-Time Story
- 37: Sweetly Told
- 38: Dr. Matthew O’Connor and the Children
- 39: Wendell Discusses Himself with His Mother
- 40: Old Wives’ Tale, or the Knit Codpieces
- 41: Wherein Sophia Goes A-Begging
- 42: Amelia Hears from Her Sister on the Misfortunes of Women
- 43: Timothy Strives Greatly with a Whore
- 44: Fine Bitches All, and Molly Dance
- 45: Dr. Matthew O’Connor Talks to Wendell on Holy Inspiration
- 46: Ryder—His Race
- 47: Going To, and Coming From
- 48: Elisha in Love with the Maiden
- 49: Three Great Moments of History
- 50: Whom Should He Disappoint Now?
- Afterword by Paul West
- About the Author