
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Sarah Jane Nelson chronicles Hunter's song collecting adventures alongside portraits of the singers and mentors he met along the way. The guitar-strumming Hunter picked up the recording habit to expand his repertoire but almost immediately embraced the role of song preservationist. Being a local allowed Hunter to merge his native Ozark earthiness with sharp observational skills to connect--often more than once--with his singers. Hunter's own ability to be present added to that sense of connection. Despite his painstaking approach, ballad collecting was also a source of pleasure for Hunter. Ultimately, his dedication to capturing Ozarks song culture in its natural state brought Hunter into contact with people like Vance Randolph, Mary Parler, and non-academic folklorists who shared his values.
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Information
Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Dedication
- Contents
- Foreword: The Singer in Me
- Preface
- Acknowledgments
- Introduction: Max Hunter and the Ballad Field
- 1 Singing on the Way to Church
- 2 A Traveling Salesman in Eureka
- 3 Rules of Collecting and How Hunter Got His Songs
- 4 The Child Ballads and Other Bounty
- 5 Singing Grandmas and the Musical Tribes of Stone County
- 6 Circle of Friends
- 7 The Importance of Columbia
- 8 More Than a Hobby
- 9 Max Hunter’s Map of the Ozarks
- 10 Max Hunter and the Festival Circuit
- 11 One Eye on the Past and One on the Future
- Notes
- Selected Bibliography
- Index
- Song Index