As an intervention in conversations on transnationalism, film culture and genre theory, this book theorises transnational genre hybridity – combining tropes from foreign and domestic genres – as a way to think about films through a global and local framework. Taking the British horror resurgence of the 2000s as case study, genre studies are here combined with close formal analysis to argue that embracing transnational genre hybridity enabled the boom; starting in 2002, the resurgence saw British horror film production outpace the golden age of British horror. Yet, resurgence films like 28 Days Later and Shaun of the Dead had to reckon with horror's vilified status in the UK, a continuation of attitudes perpetuated by middle-brow film critics who coded horror as dangerous and Americanised. Moving beyond British cinema studies' focus on the national, this book also presents a fresh take on long-standing issues in British cinema, including genre and film culture.
- 272 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
Transnationalism and Genre Hybridity in New British Horror Cinema
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Table of contents
- Cover
- Title Page
- Copyright Page
- Contents
- Acknowledgements
- List of Illustrations
- Introduction: Frights, Film Culture and Genre Hybrids
- 1. The ‘Bastard Child of Mainstream Cinema’
- 2. The Golden Age of British Cinema is Undead
- 3. Hybrid Hoodie Horrors
- 4. ‘A Famous Corpse’
- Conclusion: British Horror’s Perpetually ‘Dying Light’
- Notes
- References
- Filmography
- Index
- Back Cover
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Yes, you can access Transnationalism and Genre Hybridity in New British Horror Cinema by Lindsey Decker in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film History & Criticism. We have over 1.5 million books available in our catalogue for you to explore.