- 210 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
This book examines cultural imaginations post 9/11. It explores the idea of a religious community and its multifaceted representations in literature and popular culture. The essays in the volume focus on the role of literature, film, music, television shows and other cultural forms in opening up spaces for complex reflections on identities and cultures, and how they enable us to rethink the 'trauma of familiarity', post-traumatic heterotopias, religious extremism and the idea of the 'neighbour' in post-9/11 literary and cultural imagination. The volume also probes the intersections of religion, popular media, televised simulacrum and digital martyrdom in the wake of 9/11. It also probes the simulation of new- age media images with reference to the creation and dissemination of 'martyrs', the languages of grief, religionisation of terrorism, islamophobia, religious stereotypes and the reading of comics in writing the terror.
An essential read, the book reclaims and reinterprets the alternative to a Eurocentric/Americentric understanding of cultural and geopolitical structures of global designs. It will be of great interest to researchers of literature and cultural studies, media studies, politics, film studies and South Asian studies.
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Information
Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Table of Contents
- Contributors
- Acknowledgements
- Introduction: Surveying the Frontiers of Home, Democracy and Belonging in the Literature of War on Terror
- PART I Cartographies of Otherness and Strategic Outsiderism in Post-9/11 Fictions
- PART II Reconfiguring the Contours of Home, Belonging, and the Rights of Conditional Citizenship in Post-9/11 Novels
- PART III Popular Imagination and the Ideological Representational Apparatus of Western Media and Culture in Post-9/11 Climate
- PART IV Locating “Other” Lives and the Unmappable Registers of Precarity in Post-9/11 Novels
- Index