
Some Keywords in Dickens
- 247 pages
- English
- PDF
- Available on iOS & Android
Some Keywords in Dickens
About this book
This volume shows how highly conscious Dickens was of words â of their meaning of course, and of the ideas they conjured up, but also of their very substance, texture, plasticity, visuality, and resonance, as well as their interactions with other words, and with their cultural environment. Each keyword is treated not as a semantic unit with a fixed meaning but rather as a flexible linguistic construct. Some keywords are just a word, a characteristic or even idiosyncratic lexical unit; some are treated as a load-bearing conceptual category or theme; some disintegrate into noise, complicating readers' assumptions about what a keyword must be. The focus shifts from "word" at micro- to macro-levels of signification, at times denoting wider cultural usage. Dynamic relations, oppositions, correlations and overlappings result from these individualized reading journeys, creating unforeseen and rich systems of meaning.
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Information
Table of contents
- Title Page
- Copyright
- Table of Contents
- Body
- Acknowledgements
- Michael Hollington / Francesca Orestano / Nathalie Vanfasse: Introduction
- Victor Sage (University of East Anglia): âBoyâ in Dickens. Introductory: Between Description and Name
- Jeremy Parrott (University of Buckingham): Charles Dickens as âConductorâ: an Exploration of Meanings, Roles and Associations
- Nathalie Vanfasse (LERMA, Aix-Marseille Université): Revisiting Debt, Debtors and Indebtedness in Little Dorrit
- Peter Merchant (Canterbury Christ Church University): âFound Outâ: Dickens and the Dread of Discovery
- Ewa Kujawska-Lis (University of Warmia and Mazury in Olsztyn, Poland): Hands in Great Expectations: Some Narrative Uses
- Nathalie JaĂ«ck (CLIMAS, UniversitĂ© Bordeaux Montaigne): âHoorroar!â: Dickens's Political, Epistemological and Aesthetic Rehabilitation of Noises
- CĂ©line Prest (Sorbonne Nouvelle â Paris 3): âIt's a monomania with [Krook] to think he is possessed of documentsâ: Paper Obsession and Possession in Bleak House (1852â1853)
- Dominic Rainsford (Aarhus University): âLuller-li-e-teâ! Language, Personhood, and Sympathy in Sketches by Boz
- Magdalena PypeÄ (University of Warsaw): Opium as a Keyword in Dickensâs Novels
- Maria Teresa Chialant (University of Salerno, Italy): Play in The Old Curiosity Shop
- Francesca Orestano (UniversitĂ degli Studi di Milano): Prison
- Michael Hollington (Life Member, Clare Hall, Cambridge University): River and Text in Three Mature Novels by Charles Dickens
- Lillian Nayder (Bates College): Sideways in Dickens
- Jeremy Tambling (University of Social Sciences and Humanities, Warsaw): âWhat is called taste is only another name for factâ: Two Dickens Keywords
- Michael Eaton (dramatist): The Worldly World of George Silverman
- Notes on Contributors
- Index