Through a series of reflections from internationally renowned performance-makers and contextualising essays from leading theatre and performance scholars, this is the first book to map the influence of Roland Barthes on performance.
The contributions are framed through Barthes's notion of The Neutral – the suspension of binary choice that offers a welcome antidote to the political deadlock of our present moment. They cover the breadth of Barthes's work from Mythologies (1957) to 'The Death of the Author' (1967), A Lover's Discourse (1977), Camera Lucida (1980), to the more recently available lecture courses at the Collège de France.
Together, they capture and rethink a range of Barthes's preoccupations, from his early writing on myths and meaning to personal reflections on love, loss and desire, and interrogate the intersections between Barthes's work and contemporary theatre and performance.
This book invites readers to approach Barthes's writing from a breadth of creative-critical perspectives, to become more aware of the importance of his late thought for thinking through a range of dramaturgical forms, and to become more familiar with the work of internationally significant performance practitioners.

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Yes, you can access Rethinking Roland Barthes Through Performance by Harry Robert Wilson, Will Daddario, Harry Robert Wilson,Will Daddario in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Theatre Direction & Production. We have over one million books available in our catalogue for you to explore.

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Publisher

Year

Print ISBN

eBook ISBN

Edition

Topic

Media & Performing Arts

Subtopic

Theatre Direction & Production

Cover
Half-title Page
Dedication Page
Series Page
Title Page
Contents
List of Figures
Notes on Contributors
Acknowledgements
Introduction: Contemporary Performance After Roland Barthes (Harry Robert Wilson)
Part I A Dictionary of Twinklings
Part II Rethinking Roland Barthes, Theatre, Performance
Index
Copyright Page

About this book

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Table of contents