
Live Looping in Musical Performance
Lusophone Experiences in Dialogue
- 216 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Live Looping in Musical Performance
Lusophone Experiences in Dialogue
About this book
Live Looping in Musical Performance offers a diverse range of interdisciplinary perspectives on the application of live looping technology by lusophone performers and composers. This book explores various aspects, including the aesthetic component, instrumentation, and setup, highlighting the versatility of this technology in music-making.
Written by musicians and researchers from Portuguese-speaking countries, this book comprises eleven chapters that delve into various musical contexts, genres, and practices. The novelty of including collaborative texts written alongside non-professional researchers offers the possibility of drawing from real experience to consider how live looping has been changing and "cyborguising" the concept of music, the ritual of the performance, the identity of the musicians, and the public's expectations.
Live Looping in Musical Performance provides cutting-edge reading for composers and performers, as well as ethnomusicologists, students, and researchers working in the areas of music production, technology, and performance. This book addresses a broader audience, both academic and non-academic, who are interested in new processes of musical creativity in a post-human world.
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Information
Table of contents
- Cover
- Half Title
- Title
- Copyright
- Contents
- List of Contributors
- Acknowledgements
- Introduction
- Part I Auto-ethnographic experiences (from the lab)
- Part II Collaborative writing experiences (from the field)
- Index