
eBook - ePub
Buyers Beware
Insurgency and Consumption in Caribbean Popular Culture
- 218 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
Buyers Beware offers a new perspective for critical inquiries about the practices of consumption in (and of) Caribbean popular culture. The book revisits commonly accepted representations of the Caribbean from "less respectable" segments of popular culture such as dancehall culture and 'sistah lit' that proudly jettison any aspirations toward middle-class respectability. Treating these pop cultural texts and phenomena with the same critical attention as dominant mass cultural representations of the region allows Patricia Joan Saunders to read them against the grain and consider whether and how their "pulp" preoccupation with contemporary fashion, music, sex, fast food, and television, is instructive for how race, class, gender, sexuality and national politics are constructed, performed, interpreted, disseminated and consumed from within the Caribbean.
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Yes, you can access Buyers Beware by Patricia Joan Saunders in PDF and/or ePUB format, as well as other popular books in Social Sciences & Popular Culture in Art. We have over one million books available in our catalogue for you to explore.
Information
Publisher
Rutgers University PressYear
2022Print ISBN
9780813571225, 9780813571232eBook ISBN
9780813572864Table of contents
- Cover
- Series Page
- Title Page
- Copyright
- Dedication
- Contents
- Introduction: Between the Devil and the Deep Blue Sea—Situating Caribbean Pop Culture Globally
- 1. Is Not Everything Good to Eat, Good to Talk: Sexual Economy and Dancehall Music in the Global Marketplace
- 2. Buyers Beware, Hoodwinking on the Rise: Epistemologies of Consumption in “Sistah Lit”
- 3. “Who’s on Top?”: Power, Pleasure, and the Politics of Taste
- 4. “Fashion ova Style”: The Art of Self-Fashioning in Jamaican Pop Culture
- 5. “Outta Order” or “Outta Door?”: Caribbean Women Performing Power, Politics, and Sexuality
- 6. Gardening in the Garrisons: (Un)Visibility in Contemporary Caribbean Art
- Conclusion: “Puuulll Uuuuuuup”
- Acknowledgments
- Notes
- Bibliography
- Index
- About the Author