
- 194 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
Giotto and his Works in Padua
About this book
"The Arena Chapel in Padua was completed in 1303; Giotto, then considered the preeminent painter in Italy, was commissioned to paint it in 1306. The resulting fresco cycle, detailing the history, birth, life, and death of Christ, ranks among the greatest artworks ever created.
John Ruskin helped redefine art criticism in the nineteenth century through his attention to detail, his playful and engaging prose, and the conviction with which he discussed the subjects that mattered most to him. Ruskin's ekphrastic writing became a way for readers to approach the experience of looking at great art without actually seeing it in person. Despite having written about Giotto on numerous occasions in Stones of Venice and Modern Painters, he never treated the Arena Chapel in its own right. Here Ruskin examines the panels and brings them life, describing their many hidden details, all the result of Giotto's unrivaled genius. As Ruskin says, "Giotto wasā¦one of the greatest men who ever lived."
Long out of print, the Arundel Society first published Giotto and His Works in Padua between 1853 and 1860. It stands as Ruskin's most compelling set of reflections on Giotto's masterpieceāan artwork that, in Ruskin's estimation, changed the very course of art historyā¦The result is a book that serves not only as an introduction for students of art history, but also as a discussion of what it means to be a great artist, by one of most influential writers ever to tackle visual art."-Print ed.
John Ruskin helped redefine art criticism in the nineteenth century through his attention to detail, his playful and engaging prose, and the conviction with which he discussed the subjects that mattered most to him. Ruskin's ekphrastic writing became a way for readers to approach the experience of looking at great art without actually seeing it in person. Despite having written about Giotto on numerous occasions in Stones of Venice and Modern Painters, he never treated the Arena Chapel in its own right. Here Ruskin examines the panels and brings them life, describing their many hidden details, all the result of Giotto's unrivaled genius. As Ruskin says, "Giotto wasā¦one of the greatest men who ever lived."
Long out of print, the Arundel Society first published Giotto and His Works in Padua between 1853 and 1860. It stands as Ruskin's most compelling set of reflections on Giotto's masterpieceāan artwork that, in Ruskin's estimation, changed the very course of art historyā¦The result is a book that serves not only as an introduction for students of art history, but also as a discussion of what it means to be a great artist, by one of most influential writers ever to tackle visual art."-Print ed.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Giotto and his Works in Padua by John Ruskin in PDF and/or ePUB format, as well as other popular books in Art & Art General. We have over one million books available in our catalogue for you to explore.
Information
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ArtSubtopic
Art GeneralTable of contents
- Title page
- TABLE OF CONTENTS
- EDITORIAL NOTE, 1899.
- AUTHORāS NOTE TO THE FIRST EDITION (1854).
- LIST OF ILLUSTRATIONS.
- GIOTTO AND HIS WORKS IN PADUA.
- SERIES OF SUBJECTS.
- I. - THE REJECTION OF JOACHIMāS OFFERING.
- II. - JOACHIM RETIRES TO THE SHEEPFOLD.
- III. - THE ANGEL APPEARS TO ANNA.
- IV. - THE SACRIFICE OF JOACHIM.
- V. - THE ANGEL (RAPHAEL) APPEARS TO JOACHIM.
- VI. - THE MEETING AT THE GOLDEN GATE.
- VII. - THE BIRTH OF THE VIRGIN.
- VIII. - THE PRESENTATION OF THE VIRGIN.
- IX. - THE RODS ARE BROUGHT TO THE HIGH-PRIEST.
- X. - THE WATCHING OF THE RODS AT THE ALTAR.
- XI. - THE BETROTHAL OF THE VIRGIN.
- XII. - THE VIRGIN MARY RETURNS TO HER HOUSE.
- XIII. - THE ANNUNCIATION.-THE ANGEL GABRIEL.
- XIV. - THE ANNUNCIATION.-THE VIRGIN MARY.
- XV. - THE SALUTATION.
- XVI. - THE NATIVITY.
- XVII. - THE WISE MENāS OFFERING.
- XVIII. - THE PRESENTATION IN THE TEMPLE.
- XIX. - THE FLIGHT INTO EGYPT.
- XX. - MASSACRE OF THE INNOCENTS.
- XXI. - THE YOUNG CHRIST IN THE TEMPLE.
- XXII. - THE BAPTISM OF CHRIST.
- XXIII. - THE MARRIAGE IN CANA.
- XXIV. - THE RAISING OF LAZARUS.
- XXV. - THE ENTRY INTO JERUSALEM.
- XXVI. - THE EXPULSION FROM THE TEMPLE.
- XXVII. - THE HIRING OF JUDAS.
- XXVIII. - THE LAST SUPPER.
- XXIX. - THE WASHING OF THE FEET.
- XXX. - THE KISS OF JUDAS.
- XXXI. - CHRIST BEFORE CAIAPHAS.
- XXXII. - THE SCOURGING OF CHRIST.
- XXXIII. - CHRIST BEARING HIS CROSS.
- XXXIV. - THE CRUCIFIXION.
- XXXV. - THE ENTOMBMENT.
- XXXVI. - THE RESURRECTION.
- XXXVII. - THE ASCENSION.
- XXXVIII. - THE DESCENT OF THE HOLY SPIRIT.
- APPENDIX.