
- 192 pages
- English
- PDF
- Available on iOS & Android
About this book
Singing on stage can be a daunting prospect for actors, particularly for those who have not sung before. Yet singing should be an essential part of every actor's toolkit. Singing on Stage: An Actor's Guide gives an insight for the first time into the vocal techniques and practical approaches that have been developed over generations as an integral part of the training at the Royal Academy of Dramatic Art. Jane Streeton and Philip Raymond are highly experienced performers and teachers; their book encourages each actor to explore their own authentic voice as opposed to offering a 'one-size-fits-all' or 'quick-fix' approach. Written in an accessible, friendly and enabling style, Singing on Stage: An Actor's Guide is packed with exercises to develop the actor's skills and gives an overview of:
• elements of technique
• how to work on a song
• the process of singing theatrically
• how to choose the best songs for you Featuring inspirational listening suggestions and the observations of successful performers and practitioners, Singing on Stage: An Actor's Guide is the must-have companion for complete beginners as well as for experienced actors who wish to develop their understanding of singing on stage.
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Information
Table of contents
- FC
- Half Title
- Title Page
- Copyright
- Contents
- Dedication
- Prelude
- Introduction
- 1. A Short History of Singing at RADA
- 2. The Actor’s Way In
- 3. Bel Canto in Perspective
- 4. The Role of the Singing Teacher
- 5. The Role of the Student
- 6. Making a Plan – The Contract
- 7. Fundamental Principles – Posture and Breathing
- 8. Ways we Work with Actors – Exercises
- 9. The Role of the Coach and the Accompanist
- 10. The Actor’s Solar System
- 11. Acting Through Song
- 12. Musical Form and Storytelling
- 13. Listening and the Voice as a Musical Instrument
- 14. An Approach to Vocal and Theatrical Styles
- 15. Some Stylistic Influences
- 16. Thoughts on Repertoire
- 17. Unaccompanied Singing
- 18. Practising and Taking the Reins
- 19. The Next Step – Workshops, Masterclasses, Cabarets, Small Roles
- 20. Preparation for Auditions
- 21. Rehearsals and Performances
- 22. Troubleshooting
- 23. Miscellany
- Conclusion
- Coda
- Bibliography
- Index of Listening Suggestions
- Photograph and Illustration Credits
- Author Biographies