- 216 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
Feminist Film Theory and Pretty Woman
About this book
In Feminist Film Theory and Pretty Woman, Mari Ruti traces the development of feminist film theory from its foundational concepts such as the male gaze, female spectatorship, and the masquerade of femininity to 21st-century analyses of neoliberal capitalism, consumerism, postfeminism, and the revival of "girly" femininity as a cultural ideal. By interpreting Pretty Woman as a movie that defies easy categorization as either feminist or antifeminist, the book counters the all-too-common critical dismissal of romantic comedies as mindless drivel preoccupied with trivial "feminine" concerns such as love and shopping. The book's lucid presentation of the key concerns of feminist film theory, along with its balanced reading of Pretty Woman, shed light on a Hollywood genre often overlooked by film critics: the romantic comedy.
Frequently asked questions
Yes, you can cancel anytime from the Subscription tab in your account settings on the Perlego website. Your subscription will stay active until the end of your current billing period. Learn how to cancel your subscription.
No, books cannot be downloaded as external files, such as PDFs, for use outside of Perlego. However, you can download books within the Perlego app for offline reading on mobile or tablet. Learn more here.
Perlego offers two plans: Essential and Complete
- Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
- Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
We are an online textbook subscription service, where you can get access to an entire online library for less than the price of a single book per month. With over 1 million books across 1000+ topics, we’ve got you covered! Learn more here.
Look out for the read-aloud symbol on your next book to see if you can listen to it. The read-aloud tool reads text aloud for you, highlighting the text as it is being read. You can pause it, speed it up and slow it down. Learn more here.
Yes! You can use the Perlego app on both iOS or Android devices to read anytime, anywhere — even offline. Perfect for commutes or when you’re on the go.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Feminist Film Theory and Pretty Woman by Mari Ruti in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film & Video. We have over one million books available in our catalogue for you to explore.
Information
182
NOTES
Introduction
1
Helen
Warner,
“‘A
New
Feminist
Revolution
in
Hollywood
Comedy’?:
Postfeminist
Discourses
and
the
Critical
Reception
of
Bridesmaids
,”
in
Postfeminism
and
Contemporary
Hollywood
Cinema
,
ed.
Joel
Gwynne
and
Nadine
Muller
(London:
Palgrave
Macmillan,
2013),
266.
2
This
statement
can
be
found
on
the
DVD
cover
of
Bridesmaids
.
3
Warner,
“‘A
New
Feminist
Revolution
in
Hollywood
Comedy,’”
288.
4
Ibid.,
229.
5
Ibid.,
231.
6
Diane
Negra,
“Structural
Integrity,
Historical
Reversion,
and
the
Post-9/11
Chick
Flick,”
Feminist
Media
Studies
8,
no.
1
(2008):
51.
7
Tamar
Jeffers
McDonald,
Romantic
Comedy:
Boy
Meets
Girl
Meets
Genre
(London:
Wallflower,
2002),
7.
8
Warner,
“‘A
New
Feminist
Revolution
in
Hollywood
Comedy,’”
222.
9
Hilary
Radner,
Neo-Feminist
Cinema:
Girly
Films,
Chick
Flicks,
and
Consumer
Culture
(New
York:
Routledge,
2011),
41.
10
Ibid.,
28.
11
Ibid.,
40.
12
The
screwball
comedies
of
the
1930s
and
the
1940s
are
arguably
more
straightforwardly
feminist
than
many
contemporary
romantic
comedies.
However,
even
they
often
end
in
a
manner
that
“tames”
the
female
lead,
usually
through
a
romantic
Table of contents
- Title Page
- Copyright Page
- Contents
- Introduction
- Chapter 1 Feminist Film Theory
- Chapter 2 Feminist Film Theory and Pretty Woman
- Conclusion