- 312 pages
- English
- PDF
- Available on iOS & Android
About this book
What is it that oral historians do? Prior to the publication of Envelopes of Sound oral history was regarded as an archival practice and interviews were considered the repositories of data. Envelopes shows that the interview is a series of dialectical relationships embedded in language, social practice, and historical imagination. It merges theory and method through the analysis of the basic structures of the interview. It incorporates new thinking on the nature of narrative and conversation, and it covers new ground in examining fieldwork in a number of disciplines. While strongly theoretical, it also has direct application in conducting oral history interviews. Ronald Grele is the dean of oral history in the United States, and Envelopes of Sound is the volume by which others will continue to be judged. Its contributions to methods and to meaning are still the place to start a serious discussion, whether with scholars or with high school students interviewing their grandparents.
Paul M. Buhle Director, Oral History of the American Left New York University Grele's early, groundbreaking book on oral history remains a classic. It continues to challenge the practitioner to be more self-conscious of and attentive to the nuances of the oral history interview.
Sherna Berger Gluck Director, Oral History California State University, Long Beach What is it that oral historians do? Prior to the publication of Envelopes of Sound oral history was regarded as an archival practice and interviews were considered the repositories of data. Envelopes shows that the interview is a series of dialectical relationships embedded in language, social practice, and historical imagination. It calls upon oral historians to begin to step back, to think seriously about what it is they do, and to ask what kind of documentation it is that they produce and how they can make it better. This volume merges theory and method through the analysis of the basic structures of the interview. It incorporates new thinking on the nature of narrative and conversation, and it covers new ground in examining fieldwork in a number of disciplines. While strongly theoretical, it also has direct application in conducting oral history interviews. It moves from relatively easy and simple considerations to increasingly complex issues. Envelopes of Sound can be used by a variety of students in discplines ranging from history and sociology to anthropology and contemporary literature, and it can be used in a variety of ways to raise issues on a number of theoretical levels.
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Table of contents
- Contents
- Preface to the Paperback Edition
- Preface to the Second Edition
- Preface to the First Edition
- Introduction
- I. Riffs and Improvisations: An Interview with Studs Terkel
- II. It’s Not the Song, It’s the Singing: Panel Discussion on Oral History
- III. Oral History as Poetry Dennis Tedlock
- IV. Movement Without Aim
- V. A Surmisable Variety: Interdisciplinarity and Oral History
- VI. Can Anyone Over Thirty Be Trusted? A Friendly Critique of Oral History
- VII. Listen to Their Voices: Two Case Studies in the Interpretation of Oral History Interviews
- VIII. Private Memories and Public Presentation: The Art of Oral History