
- 200 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
The Lyric Voice in English Theology
About this book
In this book, Elizabeth S. Dodd traces the contours of a lyric theology through the lens of English lyric tradition. She addresses the dominance of narrative and drama in contemporary theological aesthetics by drawing on recent developments in lyric theory. Informed by the work of critics such as Jonathan Culler, Dodd explores the significance of lyric for theological discourse. Lyric is presented here as a short, musical, expressive and personal form that is also fragmentary, embodied, socially located and performative. The main chapters address key moments in English lyric tradition. This selective approach aims to expand the theological gaze beyond the monochromatic features of the traditional canon. It covers Anglo-Saxon hymns, medieval lullaby carols, early-modern sonnets and the prophetic poetry of Romanticism, but also Grime and hip hop, performance poetry, social media poetry and Geoffrey Hill.
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Information
Table of contents
- Cover
- Halftitle Page
- Title Page
- Dedication Page
- Contents
- Acknowledgements
- Abbreviations
- Introduction: Lyric Theology, Lyric Theory and English Lyric Tradition
- Chapter 1 Melos or Babble โ Lyric Beauty and the Spirit of Pentecost
- Chapter 2 โO!โ Lyric Address and Prayer in the Spirit
- Chapter 3 The Voice of the Lord โ the Prophetic Spirit in the Lyric โIโ
- Chapter 4 The Sound of the Wind โ Fragmentation and Abundance in the Poetic Line
- Epilogue: The Lyric Voice in English Theology
- Works Cited
- Index
- Index of Bible Verses
- Imprint