The Bloomsbury Handbook of Music and Art
eBook - ePub

The Bloomsbury Handbook of Music and Art

  1. 400 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

About this book

This volume brings together prominent scholars, artists, composers, and directors to present the latest interdisciplinary ideas and projects in the fields of art history, musicology and multi-media practice. Organized around ways of perceiving, experiencing and creating, the book outlines the state of the field through cutting-edge research case studies. For example, how does art-music practice / thinking communicate activist activities? How do socio-economic and environmental problems affect access to heritage? How do contemporary practitioners interpret past works and what global concerns stimulate new works? In each instance, examples of cross or inter-media works are not thought of in isolation but in a global historical context that shows our cultural existence to be complex, conflicted and entwined. For the first time cross-disciplinary collaborations in ethnomusicology-anthropology, ecomusicology-ecoart-ecomuseology and digital humanities for art history, musicology and practice are prioritized in one volume.

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Yes, you can access The Bloomsbury Handbook of Music and Art by Sarah Mahler Kraaz, Charlotte de Mille, Sarah Mahler Kraaz,Charlotte de Mille in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & History of Art. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Cover
  2. Half-Title Page
  3. Dedication
  4. Title Page
  5. Contents
  6. List of Illustrations
  7. About the Editors
  8. List of Contributors
  9. Introduction
  10. Section I Ways of Perceiving
  11. Section Introduction
  12. 1 Tasting God’s Wisdom: Music and Art in the Early Modern Lutheran Church
  13. 2 ā€˜When Silence Speaks’: Sibelius, Music, Landscape
  14. 3 Patience between the Arts (From a Mountain of Monumental Waste)
  15. Section II Activism
  16. Section Introduction
  17. 4 Madame Campan’s Portraits or, Self-portrait of a Feminist Musicologist
  18. 5 Racist and Ethnic Stereotypes in the Arts
  19. 6 Feminism
  20. 7 Queerness in American Music Education: A Panoptic View
  21. Section III Access
  22. Section Introduction
  23. 8 Whose Museum? Applications in Interdisciplinary Thinking
  24. 9 Access and Engagement: Classical Music in the Pandemic and Beyond
  25. 10 Toward Social Sustainability: Ethics and Community Engagement in Heritage Management
  26. 11 Safeguarding the Intangible: Communities, Cultures and Ecomuseum Practices
  27. 12 Ecotones and Climate Change in Contemporary Eco Art
  28. 13 Western Art Music and the Aestheticization of Climate Change: The Case of John Luther Adams’s Become Ocean
  29. Plates
  30. Section IV Intersecting Cultures
  31. Section Introduction
  32. 14 Globalization: Voluspa Jarpa’s Altered Views and The Hegemonic Museum
  33. 15 Cultural Sound Mapping in Bern: Sound-Based Ethnomusicological Research in the Twenty-first Century
  34. 16 Unconventionally Confrontational: Radicalized Asian Affects, Diasporic Aesthetics and the Revival of Cambodian (American) Rock Music
  35. 17 Anti-Colonial Activism and the Canadian Opera Company, 2017–2022
  36. 18 Musical Instruments and ā€˜Migration’: A Reinvestigation of the Lutes in the Shōsōin Collection
  37. Section V Intersecting Practice
  38. Section Introduction
  39. 19 Landscape/Music
  40. 20 Colour, Music and Synaesthesia
  41. 21 William Kentridge, Provisionality in Process
  42. 22 Peter Sellars, St. Matthew Passion, Opera
  43. 23 Hooligan Art Community in Conversation with Dr Charlotte de Mille, The Courtauld Institute of Art, November 2022
  44. 24 Curating Glyndebourne
  45. 25 Curating Music at the Courtauld
  46. Appendix: Digital Projects in Music and Art Michelle Urberg
  47. Index
  48. Copyright