
Perspectives on Contemporary Music Theory
Essays in Honor of Kevin Korsyn
- 350 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Perspectives on Contemporary Music Theory
Essays in Honor of Kevin Korsyn
About this book
Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. He has published widely and influentially in areas as diverse as Beethoven and Brahms studies, chromatic tonality, disciplinarity and metatheory, history of theory, musical meaning and hermeneutics, poststructuralism (deconstruction, intertextuality, etc.), and Schenkerian theory and analysis. Because of the scope and caliber of his published work, and also his legacy as a pedagogue, Korsyn has had a profound impact on the field of music theory, along with the related fields of historical musicology and aesthetics.
This book, a festschrift for Korsyn, comprises essays that constellate around his numerous scholarly foci. Represented in the volume are not only familiar music-theoretical topics such as chromaticism, form, Schenker, and text-music relations, but also various interdisciplinary topics such as deconstruction, disability studies, German Idealism, posthumanism, and psychoanalysis. The book thus reflects the increasingly multifaceted intellectual landscape of contemporary music theory.
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Table of contents
- Cover
- Half Title
- Series Page
- Title Page
- Copyright Page
- Table of Contents
- List of Examples
- List of Contributors
- Introduction
- An Interview with Kevin Korsyn
- Part I Close Reading and the Problematics of Analysis
- Part II Compositional Constraints and Compositional Process
- Part III Music and Interdisciplinarity
- Index