
Poison on the early modern English stage
Plants, paints and potions
- 312 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Poison on the early modern English stage
Plants, paints and potions
About this book
Many early modern plays use poison, most famously Hamlet, where the murder of Old Hamlet showcases the range of issues poison mobilises. Its orchard setting is one of a number of sinister uses of plants which comment on both the loss of horticultural knowledge resulting from the Dissolution of the Monasteries and also the many new arrivals in English gardens through travel, trade, and attempts at colonisation. The fact that Old Hamlet was asleep reflects unease about soporifics troubling the distinction between sleep and death; pouring poison into the ear smuggles in the contemporary fear of informers; and it is difficult to prove. This book explores poisoning in early modern plays, the legal and epistemological issues it raises, and the cultural work it performs, which includes questions related to race, religion, nationality, gender, and humans' relationship to the environment.
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Information
Table of contents
- Cover
- Half-Title
- Title
- Copyright
- Contents
- Notes on contributors
- Introduction
- Part I Sources of poison
- 1 âBalms and gums and heavy cheersâ: Shakespeareâs poison gardens
- 2 Shakespeare and the snakehandlers: venom, vermin and the circulation of eco-social energy in Renaissance drama
- 3 Shakespeareâs âbaleful mistletoeâ
- 4 Poisoning and poisonous Black bodies: Egyptian magic on the early modern stage
- Part II Poisoners
- 5 âSpit thy poisonâ: the rhetoric of poison in Marstonâs and Websterâs Italianate drama
- 6 Poisonous intent, or how to get away with attempted murder on the early modern stage
- 7 âLet this deadly draught purge clean my Soul from sinâ: poisons and remedies in Margaret Cavendishâs drama
- 8 Poxy doxies and poison damsels: venereal infection and the myth of the venomous woman in early modern literature
- Part III Victims
- 9 âThou didst eat my lipsâ: swallowing passion in William Davenantâs The Tragedy of Albovine
- 10 âThe leperous distilmentâ: authority, informers and the poisoned ear
- 11 Playing with poison: murder, proof and confession in early modern revenge
- 12 âNo healthsome air breathes inâ: spiritual poison in Romeo and Juliet
- 13 âDeathâs counterfeitâ: the art of undying and the Machiavels in The Jew of Malta and Alphonsus, Emperor of Germany
- Works cited
- Index