- 426 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
About this book
Martin M. Winkler argues for a new approach to various creative affinities between ancient verbal and modern visual narratives. He examines screen adaptations of classical epic, tragedy, comedy, myth, and history, exploring, for example, how ancient rhetorical principles regarding the emotions apply to moving images and how Aristotle's perspective on thrilling plot-turns can recur on screen. He also interprets several popular films, such as 300 and Nero, and analyzes works by international directors, among them Pier Paolo Pasolini (Oedipus Rex, Medea), Jean Cocteau (The Testament of Orpheus), Mai Zetterling (The Girls), Lars von Trier (Medea), Arturo Ripstein (Such Is Life), John Ford (westerns), Alfred Hitchcock (Psycho), and Spike Lee (Chi-Raq). The book demonstrates the undiminished vitality of classical myth and literature in our visual media, as with screen portrayals of Helen of Troy. It is important for all classicists and scholars and students of film, literature, and history.
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Information
Table of contents
- Cover
- Half-title page
- Title page
- Copyright page
- Contents
- List of Illustrations
- Acknowledgments
- Introduction
- Part I Creative Affinities: Ancient Texts and Modern Images
- Part II Elective Affinities: Tragedy and Comedy
- Part III Non-elective Affinities: Plot and Theme
- Part IV Counter-Affinities: Ideological and Narrative Distortions of History
- Part V Aesthetic Affinities: Portraits of Ladies
- Bibliography
- Index
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Yes, you can access Classical Literature on Screen by Martin M. Winkler in PDF and/or ePUB format, as well as other popular books in History & Ancient History. We have over 1.5 million books available in our catalogue for you to explore.