Counterfeit Culture
eBook - PDF

Counterfeit Culture

Truth and Authenticity in the American Prose Epic since 1960

  1. English
  2. PDF
  3. Available on iOS & Android
eBook - PDF

Counterfeit Culture

Truth and Authenticity in the American Prose Epic since 1960

About this book

Counterfeit Culture explores the possibility of writing epic in an age of alternative facts. Examining six attempts to forge an American prose epic since 1960, this study goes on to trace a national tradition of inauthenticity, stretching back across four centuries. In works by authors such as Pynchon, Gaddis and Burroughs, the contemporary turn away from truth and authenticity can be seen as a return to an established line of literary tricksters and confidence men, with tropes of fraud and artifice running deep in the American grain. Combining archival work with historically-inflected analysis of literary narrative, this book ranges through questions of identity, technology, history, and music in its engagement. From Marguerite Young's inquiry into psychological disintegration to William T. Vollmann's ongoing cycle of false histories, the study introduces a new reading of the American epic.

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Yes, you can access Counterfeit Culture by Rob Turner in PDF and/or ePUB format, as well as other popular books in Literature & North American Literary Criticism. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. Half-title page
  3. Series page
  4. Title page
  5. Copyright page
  6. Dedication
  7. Epigraph
  8. Contents
  9. List of Figures
  10. Acknowledgements
  11. Introduction: America and the ‘Way to the Devil’
  12. Chapter 1 Marguerite Young’s Flood of Consciousness
  13. Chapter 2 William Gaddis and the ‘Novel-Writing-Machine’ of Andy Warhol
  14. Chapter 3 ‘Paper Reality’: William S. Burroughs and the Cut-Up Method
  15. Chapter 4 ‘Bad History’: Thomas Pynchon and the Apocryphal Epic
  16. Chapter 5 ‘History Shambles On’: William T. Vollmann and the Seven Dreams Cycle
  17. Conclusion: ‘Every Story Has Two Tails’
  18. Bibliography
  19. Index