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Women and Embodied Mythmaking in Irish Theatre
About this book
The rich legacy of women's contributions to Irish theatre is traditionally viewed through a male-dominated literary canon and mythmaking, thus arguably silencing their work. In this timely book, Shonagh Hill proposes a feminist genealogy which brings new perspectives to women's mythmaking across the twentieth and twenty-first centuries. The performances considered include the tableaux vivants performed by the Inghinidhe na hĂireann (Daughters of Ireland), plays written by Alice Milligan, Maud Gonne, Lady Augusta Gregory, Eva Gore-Booth, Mary Devenport O'Neill, Mary Elizabeth Burke-Kennedy, Paula Meehan, Edna O'Brien and Marina Carr, as well as plays translated, adapted and performed by Olwen FouĂ©rĂ©. The theatrical work discussed resists the occlusion of women's cultural engagement that results from confinement to idealised myths of femininity. This is realised through embodied mythmaking: a process which exposes how bodies bear the consequences of these myths, while refusing to accept the female body as passive bearer of inscription through the assertion of a creative female corporeality.
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Information
Table of contents
- Cover
- Half-title page
- Title page
- Copyright page
- Dedication
- Contents
- Acknowledgements
- Introduction: A Creative Female Corporeality
- Chapter 1 Revolutionary Bodies: Mythmaking and Irish Feminisms
- Chapter 2 Unhomely Bodies: Transforming Space
- Chapter 3 Metamorphic âBodies That Matterâ: Process and Resistance
- Chapter 4 Staging Female Death: Sacrificial and Dying Bodies
- Chapter 5 Haunted Bodies and Violent Pasts
- Chapter 6 Olwen FouĂ©rĂ©âs Corpus: The Performerâs Body and Her Body of Work
- Bibliography
- Index