- 255 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
Modernism and Popular Music
About this book
Traditionally, ideas about twentieth-century 'modernism' - whether focused on literature, music or the visual arts - have made a distinction between 'high' art and the 'popular' arts of best-selling fiction, jazz and other forms of popular music, and commercial art of one form or another. In Modernism and Popular Music, Ronald Schleifer instead shows how the music of George and Ira Gershwin, Cole Porter, Thomas 'Fats' Waller and Billie Holiday can be considered as artistic expressions equal to those of the traditional high art practices in music and literature. Combining detailed attention to the language and aesthetics of popular music with an examination of its early twentieth-century performance and dissemination through the new technologies of the radio and phonograph, Schleifer explores the 'popularity' of popular music in order to reconsider received and seeming self-evident truths about the differences between high art and popular art and, indeed, about twentieth-century modernism altogether.
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Information
Table of contents
- Cover
- Half-title
- Title
- Copyright
- Dedication
- Contents
- Figures
- Preface
- Acknowledgments
- Introduction: popular music and the experience of modernism
- Part I: Musical modernism: popular music in the time of jazz
- Part II: Gershwin, Porter, Waller, and Holiday
- Conclusion: popular music and the revolution of the word
- Notes
- Bibliography
- Index
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Yes, you can access Modernism and Popular Music by Ronald Schleifer in PDF and/or ePUB format, as well as other popular books in Literature & English Literary Criticism. We have over 1.5 million books available in our catalogue for you to explore.