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Ann Radcliffe, Romanticism and the Gothic
About this book
This book offers unique and fresh perspectives upon the literary productions of one of the most highly remunerated and widely admired authors of the Romantic period, Ann Radcliffe (1764–1823). While drawing upon, consolidating and enriching the critical impulses reflected in Radcliffe scholarship to date, this collection of essays, composed by a range of renowned scholars of the Romantic period, also foregrounds the hitherto neglected aspects of the author's work. Radcliffe's relations to Romantic-era travel writing; the complex political ideologies that lie behind her historiographic endeavours; her poetry and its relation to institutionalised forms of Romanticism; and her literary connections to eighteenth-century women's writing are all examined in this collection. Offering fresh considerations of the well-known Gothic fictions and extending the appreciation of Radcliffe in new critical directions, the collection reappraises Radcliffe's full oeuvre within the wider literary and political contexts of her time.
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Information
Table of contents
- Cover
- Ann Radcliffe, Romanticism and the Gothic
- Title
- Copyright
- Dedication
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgements
- Part I Cultural contexts
- CHAPTER two Ann Radcliffe, precursors and portraits
- CHAPTER Three Ann Radcliffe and Romantic print culture
- CHAPTER four Ann Radcliffe and politics
- Part II Ann Radcliffe’s creative output
- CHAPTER six The heroine, the abbey and popular Romantic textuality The Romance of the Forest (1791)
- CHAPTER seven Popular Romanticism and the problem of belief
- CHAPTER eight Transnational aesthetics in Ann Radcliffe’s A Journey Made in the Summer of 1794 […] (1795)
- CHAPTER nine Recovering the Walpolean Gothic
- CHAPTER ten Ann Radcliffe beyond the grave
- Part III Ann Radcliffe and Romantic literary culture
- CHAPTER twelve Ann Radcliffe and Romantic-era fiction
- CHAPTER thirteen ‘A portion of the name’
- Bibliography
- Index