Schoenberg's Twelve-Tone Music
eBook - PDF

Schoenberg's Twelve-Tone Music

Symmetry and the Musical Idea

  1. English
  2. PDF
  3. Available on iOS & Android
eBook - PDF

Schoenberg's Twelve-Tone Music

Symmetry and the Musical Idea

About this book

Jack Boss takes a unique approach to analyzing Arnold Schoenberg's twelve-tone music, adapting the composer's notion of a 'musical idea' - problem, elaboration, solution - as a framework and focusing on the large-scale coherence of the whole piece. The book begins by defining 'musical idea' as a large, overarching process involving conflict between musical elements or situations, elaboration of that conflict, and resolution, and examines how such conflicts often involve symmetrical pitch and interval shapes that are obscured in some way. Containing close analytical readings of a large number of Schoenberg's key twelve-tone works, including Moses und Aron, the Suite for Piano Op. 25, the Fourth Quartet, and the String Trio, the study provides the reader with a clearer understanding of this still-controversial, challenging, but vitally important modernist composer.

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Yes, you can access Schoenberg's Twelve-Tone Music by Jack Boss in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music History & Criticism. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. Half-title
  3. Series information
  4. Title page
  5. Copyright information
  6. Dedication
  7. Table of contents
  8. List of music examples
  9. Acknowledgements
  10. List of abbreviations and notational conventions
  11. 1 Musical idea and symmetrical ideal
  12. 2 Suite for Piano Op. 25: varieties of Idea in Schoenberg's earliest twelve-tone music
  13. 3 Woodwind Quintet Op. 26: the twelve-tone Idea reanimates a large musical form
  14. 4 Three Satires Op. 28, No. 3: The earliest example of the "symmetrical ideal" in a (more or less) completely combinatorial context
  15. 5 Piano Piece Op. 33a: The "symmetrical ideal" conflicts with and is reconciled to row order
  16. 6 Fourth String Quartet Op. 37, movement I: two motives give rise to contrasting row forms, meters, textures, and tonalities (and are reconciled) within a large sonata form
  17. 7 Moses und Aron: an incomplete musical idea represents an unresolved conflict between using word and image to communicate God
  18. 8 String Trio Op. 45: a musical idea and a near-death experience are expressed as a conflict between alternative row forms
  19. Bibliography
  20. Index