Shakespeare Survey: Volume 67, Shakespeare's Collaborative Work
eBook - PDF

Shakespeare Survey: Volume 67, Shakespeare's Collaborative Work

  1. English
  2. PDF
  3. Available on iOS & Android
eBook - PDF

Shakespeare Survey: Volume 67, Shakespeare's Collaborative Work

About this book

Shakespeare Survey is a yearbook of Shakespeare studies and productions. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 67 is 'Shakespeare's Collaborative Work'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.

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Yes, you can access Shakespeare Survey: Volume 67, Shakespeare's Collaborative Work by Peter Holland in PDF and/or ePUB format, as well as other popular books in Literature & Literary Criticism in Drama. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. Half title
  3. Series
  4. Title
  5. Copyright
  6. Contents
  7. Illustrations
  8. Why did Shakespeare Collaborate?
  9. What is not Collaborative about Early Modern Drama in Performance and Print?
  10. Framing Shakespeare’s Collaborative Authorship
  11. Collaboration and Proprietary Authorship: Shakespeare et al.
  12. Topical Shakespeare
  13. Shakespeare After All?: The Authorship of Titus Andronicus 4.1 Reconsidered
  14. A Shakespeare/North Collaboration: Titus Andronicus and Titus and Vespasian
  15. The Two Authors of Edward III
  16. Shakespeare, Poetic Collaboration and the Passionate Pilgrim
  17. Contextualizing ā€˜The Phoenix and Turtle’: Shakespeare, Edward Blount and the Poetical Essays Group of Love’s Martyr
  18. Shakespeare’s Singularity and Sir Thomas More
  19. Double Falsehood: The Forgery Hypothesis, the ā€˜Charles Dickson’ Enigma and a ā€˜Stern’ Rejoinder
  20. Nostalgic Spectacle and the Politics of Memory in Henry VIII
  21. Royal Entries and the Form of Pageantry in All Is True
  22. Acting Historical with Shakespeare, or, William-Henry Ireland’s Oaken Chest
  23. Re-cognizing Shakespearian Tragedy
  24. Shakespeare’s Literature of Exhaustion
  25. Big-Shouldered Shakespeare: Three Shrews at Chicago Shakespeare Theater
  26. Why Ganymede Faints and the Duke of York Weeps: Passion Plays in Shakespeare
  27. The Merchant of Venice at the National Theatre of Greece (1945) and the Silencing of the Holocaust
  28. Cinnas of Memory
  29. The Measure of Sexual Memory
  30. Othello Across Borders: On an Interlocal and Intermedial Exercise
  31. John Berryman’s Emendation of King Lear 4.1.10 and Shakespeare’s Scientific Knowledge
  32. Spectacle, Representation and Lineage in Macbeth 4.1
  33. ā€˜Pleasing Strains’: The Dramaturgical Role of Music in The Winter’s Tale
  34. Confinement and Freedom in The Tempest
  35. Shakespeare Performances in England 2013
  36. Professional Shakespeare Productions in the British Isles January-December 2012
  37. The year’s Contribution to Shakespeare Studies
  38. Index to Volume 67