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Shakespeare Survey: Volume 67, Shakespeare's Collaborative Work
About this book
Shakespeare Survey is a yearbook of Shakespeare studies and productions. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 67 is 'Shakespeare's Collaborative Work'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.
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Yes, you can access Shakespeare Survey: Volume 67, Shakespeare's Collaborative Work by Peter Holland in PDF and/or ePUB format, as well as other popular books in Literature & Literary Criticism in Drama. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Half title
- Series
- Title
- Copyright
- Contents
- Illustrations
- Why did Shakespeare Collaborate?
- What is not Collaborative about Early Modern Drama in Performance and Print?
- Framing Shakespeareās Collaborative Authorship
- Collaboration and Proprietary Authorship: Shakespeare et al.
- Topical Shakespeare
- Shakespeare After All?: The Authorship of Titus Andronicus 4.1 Reconsidered
- A Shakespeare/North Collaboration: Titus Andronicus and Titus and Vespasian
- The Two Authors of Edward III
- Shakespeare, Poetic Collaboration and the Passionate Pilgrim
- Contextualizing āThe Phoenix and Turtleā: Shakespeare, Edward Blount and the Poetical Essays Group of Loveās Martyr
- Shakespeareās Singularity and Sir Thomas More
- Double Falsehood: The Forgery Hypothesis, the āCharles Dicksonā Enigma and a āSternā Rejoinder
- Nostalgic Spectacle and the Politics of Memory in Henry VIII
- Royal Entries and the Form of Pageantry in All Is True
- Acting Historical with Shakespeare, or, William-Henry Irelandās Oaken Chest
- Re-cognizing Shakespearian Tragedy
- Shakespeareās Literature of Exhaustion
- Big-Shouldered Shakespeare: Three Shrews at Chicago Shakespeare Theater
- Why Ganymede Faints and the Duke of York Weeps: Passion Plays in Shakespeare
- The Merchant of Venice at the National Theatre of Greece (1945) and the Silencing of the Holocaust
- Cinnas of Memory
- The Measure of Sexual Memory
- Othello Across Borders: On an Interlocal and Intermedial Exercise
- John Berrymanās Emendation of King Lear 4.1.10 and Shakespeareās Scientific Knowledge
- Spectacle, Representation and Lineage in Macbeth 4.1
- āPleasing Strainsā: The Dramaturgical Role of Music in The Winterās Tale
- Confinement and Freedom in The Tempest
- Shakespeare Performances in England 2013
- Professional Shakespeare Productions in the British Isles January-December 2012
- The yearās Contribution to Shakespeare Studies
- Index to Volume 67