
- English
- PDF
- Available on iOS & Android
About this book
This book sets out to correct received accounts of the emergence of art history as a masculine field. It investigates the importance of female writers from Anna Jameson, Elizabeth Eastlake and George Eliot to Alice Meynell, Vernon Lee and Michael Field in developing a discourse of art notable for its complexity and cultural power, its increasing professionalism and reach, and its integration with other discourses of modernity. Proposing a more flexible and inclusive model of what constitutes art historical writing, including fiction, poetry and travel literature, this book offers a radically revisionist account of the genealogy of a discipline and a profession. It shows how women experienced forms of professional exclusion that, whilst detrimental to their careers, could be aesthetically formative; how working from the margins of established institutional structures gave women the freedom to be audaciously experimental in their writing about art in ways that resonate with modern readers.
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Information
Table of contents
- Cover
- Half-title
- Series information
- Title page
- Copyright information
- Dedication
- Table of contents
- List of illustrations
- Acknowledgements
- Introduction
- Chapter 1 The profession of art history
- Chapter 2 The art of fiction
- Chapter 3 Girl guides: travel, translation, ekphrasis
- Chapter 4 Women’s periods
- Chapter 5 Feminine arts
- Conclusion
- Notes
- Bibliography
- Index